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Adam Wilt
Adam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC.
Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Final Cut Pro System", part of the Apple Pro Training series; he hopes you'll buy a copy, as there's still a large advance to be paid off.
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Sunday, May 31, 2009
Lessons learned in RED FCP/Color roundtripping, and a suggested FCP/Color workflow for RED clips.
I had previously reported that 2K REDCODE footage (2048x1152), shrunk to 93.75% to fit an HD timeline in FCP, came back from Color as 1920x1080 footage shrunk once again by another 93.75%. I’ve since explored this further and found out what was going on—as well as run into and characterized one of the oft-reported “softening” issues in Color. With these and other minor surprises in mind, I’ve developed a RED+FCP+Color workflow that works for me; maybe it’ll work for you, too.
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