Adam Wilt
Adam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC.
Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Final Cut Pro System", part of the Apple Pro Training series; he hopes you'll buy a copy, as there's still a large advance to be paid off.
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Wednesday, May 21, 2008
Sony gets serious about HDV with two fine cameras based on the same core components.
The HVR-Z7 and HVR-S270 camcorders take Sony’s commitment to the HDV format to the next level. Both are based on the same core technology: three 1/3” ClearVid CMOS sensors viewing the world behind interchangeable lenses. The cameras share the same EVF and LCD panels, the same microphones, the same rich feature sets (including CF card recording, and both interlaced and true progressive HDV modes), and the same fundamental performance, but they’re packaged very differently. The Z7 is a svelte Handycam, while the S270 is a no-excuses shoulder-mount camcorder, bristling with dedicated buttons and switches, full-sized BNC connectors, large-cassette capability, and four channels of audio recording—a first for HDV.
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Adam Wilt | 05/21- 12:17 PM
Sony gets serious about HDV with two fine cameras based on the same core components. The HVR-Z7 and HVR-S270 camcorders take Sony’s commitment to the…
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