(Page 2 of 8 pages for this article  <  1 2 3 4 >  Last »)

Wednesday, November 19, 2008

Filed under: CamerasEditingPost Production

Green/Magenta?

Adam Wilt | 11/19

Testing RED ONE for green/magenta sensitivity, and what we found.

Tungsten

Tota-light in a Chimera video softbank, measured at 2900K.









Quick jumps:

Introduction, Cameras, Lighting, Tests

Tungsten

3200K Fluorescent

North Light

HMI

5600K Fluorescent

Daylight

Observations & Conclusions

Next: 3200K Fluorescent tests…

(Page 2 of 8 pages for this article  <  1 2 3 4 >  Last »)

               



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Adam, I’ve been saying for many weeks now that REC709 color matrixing does not look right in any of the Red apps or quicktime translation. I exclusively use Camera RGB or Redspace. I then tweak saturation and color balance to achieve a natural looking skin tone.

Posted by .(JavaScript must be enabled to view this email address)  on  11/26  at  07:41 PM


Very detail article. Since this was posted, what would you recommend now?

Posted by mikethebuilder1  on  07/07  at  01:22 PM


This test was done in 2008 with build 16; it’s now 2010 and we’re up to build 30, which has radically improved the situation. The new REDcolor color space is far more accurate and naturalistic than the earlier color spaces in older firmware, and the new Mysterium-X sensor appears to use different color filtering with improved discrimination (I’m testing this right now and will be posting my findings soon), which makes things even better.

Short (and free) answer: update to build 30. Longer (and more expensive) answer: upgrade to the M-X sensor.

Posted by Adam Wilt  on  07/07  at  02:05 PM


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Tangent Element panels are now shipping

Scott Simmons | 01/27

DaVinci Resolve isn’t listed as being supported as of yet. Hopefully soon.

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Word came out today from Tangent Devices

From start to finish – an arsenal of tools

Marc-Andre Ferguson | 01/25

Finishing options from mobile workstations to pimped out desktops.

Eyeheight Announces CC-3D Stereoscopic Colour Corrector

PVC News Staff | 01/23

Eyeheight’s CC-3D colour corrector is capable of working at several different specifications

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Eyeheight announces the world’s first multi-rate stereoscopic 3D colour corrector. Designed for use in broadcast production, post-production and playout centres,…

Choosing your next editing and finishing system

Marc-Andre Ferguson | 01/19

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Are you thinking at changing your workflow? Are you looking at another NLE? And if so, why chose just one new application? Why not take this opportunity to think beyond your editing pipeline?

To be considered for listing, contact pr (at) provideocoalition (dot) com


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