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Wednesday, November 19, 2008

Filed under: CamerasEditingPost Production

Green/Magenta?

Adam Wilt | 11/19

Testing RED ONE for green/magenta sensitivity, and what we found.

5600K Fluorescent

Kino-Flo Diva-Lite with 5600K tubes. 5500K plus 1/16 Magenta.









Quick jumps:

Introduction, Cameras, Lighting, Tests

Tungsten

3200K Fluorescent

North Light

HMI

5600K Fluorescent

Daylight

Observations & Conclusions

Next: Daylight tests…

(Page 6 of 8 pages for this article « First  <  4 5 6 7 8 >)

               



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Tangent Element panels are now shipping

Scott Simmons | 01/27

DaVinci Resolve isn’t listed as being supported as of yet. Hopefully soon.

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Word came out today from Tangent Devices

From start to finish – an arsenal of tools

Marc-Andre Ferguson | 01/25

Finishing options from mobile workstations to pimped out desktops.

Eyeheight Announces CC-3D Stereoscopic Colour Corrector

PVC News Staff | 01/23

Eyeheight’s CC-3D colour corrector is capable of working at several different specifications

image

Eyeheight announces the world’s first multi-rate stereoscopic 3D colour corrector. Designed for use in broadcast production, post-production and playout centres,…

Choosing your next editing and finishing system

Marc-Andre Ferguson | 01/19

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Are you thinking at changing your workflow? Are you looking at another NLE? And if so, why chose just one new application? Why not take this opportunity to think beyond your editing pipeline?

To be considered for listing, contact pr (at) provideocoalition (dot) com


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