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Filed under: Cameras •GentryMedia Sister Sites •HDSLR •PR News •Production •Vendor Channels •Sony •

Quick notes: First PMW-F3 Movie; NXCAM 35 Pro Camcorder

Things are really heating up in the large single sensor camcorder world.

(1) Martin Scanlan writes:

Hey Adam, I just had access to a test PMW-F3 for a couple of days so me and the DP Steve Lawes decided to shoot a run and gun short film with it to give it a real world test. Footage is online at http://vimeo.com/16898584

Thought you might be interested.

(2) Sony’s Tom DiNome sent along a Sony press release:

Sony to expand 35mm large format sensor camcorder lineup

“NXCAM” HD camcorder under development, featuring E-mount lens system

PARK RIDGE, N.J., Nov. 17, 2010—Sony Corporation announced today that it is developing a new type of E-mount interchangeable lens camcorder for professional use that is equipped with a Super-35mm equivalent large format CMOS sensor. This new addition to Sony’s professional “NXCAM” line will be available in the middle of 2011.

Already a key player in the 35mm digital cinematography market with its highly acclaimed “CineAlta” F35 and SRW-9000PL cameras for high-end digital cinema production, Sony also recently strengthened its line-up in this category with the new PMW-F3, its first professional handheld digital production camera with a Super 35mm imager. With this new “NXCAM” HD camcorder now (still under development), Sony looks to further strengthen its position in the entry-level segment by providing an affordable yet highly capable professional solution for many applications—including independent film, music video and corporate communications—all looking for a cinematic look.

This “NXCAM” HD camcorder under development will be equipped with a Super-35mm equivalent sensor, a widely used film stock size in the film industry that is perfectly designed for capturing motion picture. This new sensor will have extraordinary performance in terms of picture quality and sensitivity, and is able to create rich “Bokeh” effect (beautifully defocused image) that is perfect for artistic story-telling in motion picture.

Thanks to the adoption of the E-mount interchangeable lens system that is identical to Sony’s “α” series NEX-5, 3 and “Handycam” NEX-VG10, the E-mount lenses will be compatible with this new professional camcorder.  In addition, a very short flange back distance (the distance between the lens mount surface and sensor surface) allows various “α” A-mount lenses to be mounted via a mount adaptor (LA-EA1). It is also possible to attach many other lenses using third-party mount adaptors[1]. With such flexibility, users will be able to experiment with various creative expressions by exploiting the characteristics of different optics.

[1]: Not all types of adaptors and lenses are guaranteed.

The recording format for this new HD camcorder will be AVCHD, a widely supported format by many non-linear editing software vendors and the same format used in the HXR-NX5 “NXCAM” professional camcorder.

There is also a plan to implement 1080p (60p / 30p / 24p[2] or 50p / 25p) recording modes. 
(MPEG4-AVC/H.264 compression will be used for these modes.)

[2]: 59.94p / 29.97p / 23.98p respectively.

“NXCAM”, “α” and “CineAlta” are trademarks of Sony Corporation.

“Handycam” is a registered trademark of Sony Corporation.

“AVCHD” is a trademark of Panasonic Corporation and Sony Corporation.

FTC Disclaimer: No material connection exists between me and Sony or Martin Scanlan, and I haven’t received any consideration or compensation for posting these tidbits. They came flying across my transom this morning and so I just stuck ‘em up on PVC.

Images courtesy Sony.

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When will camera manufacturers learn that nobody wants or likes AVCHD?

Posted by Charles Angus  on  11/17  at  06:00 PM

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