(Page 1 of 2 pages for this article  1 2 >)

Tuesday, April 15, 2008

Snapshots - NAB 2008 Day 2

Codex Digital, SpeedGrade, Tangent, SI2K, and Nila

The original Codex Digital recorder with one field pack removed

These full-size Codex recorders were used to capture Sony F23 clips on the set of “Speed Racer”, the Wachowski Bros live-action/CGI reprise of the Japanese cartoon.

James Norman of Iridas demonstrates SpeedGrade XR

XR is a new version of the cross-platform (Mac/Linux/Windows) SpeedGrade color correction system supporting most major RAW camera files directly. Here, a scene from “The Dark Country”, shot with the Silicon Imaging SI2K and recorded using Cineform RAW, is tweaked. Note the $20,000 Tangent control surface and Cine-tal monitor.

Tangent Wave control panel prototype

If $20,000 seems too spendy for a colorist’s console, Tangent will be offering the Wave for around $1,000. It’s really designed for field use with SpeedGrade OnSet, but I can see a lot of them going into fixed installations as a cost-effective control surface.

Cineform demoed full metadata persistence through editorial, with shot metadata now embedded in the essence instead of merely being kept in file headers where it was subject to loss due to subclip extraction or format transcoding (AVI to QuickTime, for example). Basic (primary) grading can be done directly in the PC or Mac decoding plugin, bypassing the Premiere or FCP effects architecture and the need to re-render. Looks can be exported and imported on a per-clip basis, and a behind-the-scenes database tracks moved or recaptured clips via GUIDs, so looks stay associated with clips despite various file-level insults.

Next: SI2K, and Nila LED lighting...

Cameras • Editing • Hardware • Lighting • NAB 08 • Post Production •

(Page 1 of 2 pages for this article  1 2 >)

Can Ikonoskop’s DII Digital Cinema Camera Coexist with Red?

Matt Jeppsen | 09/19- 09:50 AM

Behind the Scenes at a superfad Phantom shoot

Matt Jeppsen | 09/19- 09:06 AM

RGB and the F23

Art Adams | 08/15- 04:39 AM

IRIDAS to Showcase DualStream and Real-Time RAW 2.0

Chris Meyer | 08/11- 07:01 AM

Wevi’s wobble but they don’t break up

Art Adams | 07/31- 05:44 PM

The SI2k looks extremely interesting and if the footage is cleaner than some of the RED clips I have seen, it would be an option for me.

Would love to see a more complete take on this cam.
Thanks for the heads up on it, I am going to investigate.

Posted by  on  05/01  at  08:02 AM

---

The SI-2K is a wonderful camera, I thought the most impressive aspect of it was the touch-screen interface. It seems, hands down, to be quickest, simplest interface I’ve seen on a digital-cinema camera.

Posted by  on  05/03  at  08:14 PM

---

Name:

Email:

Location:

URL:

You must be registered to comment.

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below: