ProVideo Coalition.com: Camera Log by Adam Wilt | Founder | Pro Cameras, HDV Camera, HD Camera, Sony, Panasonic, JVC, RED, Video Camera Reviews

Softron Media Systems demoed their suite of fully Mac-native broadcast automation apps, with OS X compliant user interfaces. Their capture and playout apps use AJA or BlackMagic cards, standard codecs, and are AppleScriptable. Never heard of Softron? They’ve been in TV Stations in Europe and Asia for several years; in Russia this past year; they’re just now coming into North America. If you’re interested in Mac-flavored broadcasting, dowload demo software or the user manuals and see for yourself.

Of course, there are other Macintosh broadcast apps—BUG.tv is also Mac-centric, and Building4Media‘s front ends are cross-platform—but I thought Softron deserved a look since they’re new to our market.

Cine-tal monitor and Iridas SpeedGrade OnSet

Cine-tal‘s 24” monitors have options for internal four-input switchers; dual-link connections; internal framestores, WFM and vectorscope modules; and loadable LUTs (lookup tables). When coupled with SpeedGrade OnSet a Cine-tal monitor lets DPs and DITs capture images, grade them, then load the grade back into the monitor to apply it—live, in real time—to other shots. Cine-tal monitors run from $10K - $20K depending on options; SpeedGrade OnSet starts at $600, a mere snip, but like a “gateway drug” (with a tip o’ the hat to Jon Carroll), it serves to draw you into the full range of Iridas products for high-end look design that will rapidly drain your wallet even as they give you more control over color grading (grin).

Flash XDR guts in a plastic bag: blue daughterboard is the Sony codec

Convergent Design‘s Flash XDR, a portable video recorder capturing HD to CF cards, was the talk of the show; Convergent was kept busy making room on their small demo table for ever more awards while I was there. The XDR, a hefty box the size of a trade paperback, uses a Sony MPEG-2 codec to capture HD at data rates up to 100Mbit/sec for long-GOP or 160 Mbit/sec for I-frame, recording on 4 off-the-shelf CF cards. $5000, shipping soon; another $1000 for ASI I/O (very handy for broadcasters); optional uncompressed capture coming this fall, which will be interesting to say the least: uncompressed capture to CF cards???

The Flash XDR and Panasonic’s AJ-HPM110

XDR isn’t the only solid-state standalone recorder; Panasonic’s AJ-HPM110 records SD and HD to P2 cards using the tried-and-true DVCPROHD codec or, with an optional board, AVC-I, arguably the highest-quality acquisition codec currently available (aside from HDCAM-SR): full-raster, 10-bit, 4:2:2 AVC (a.k.a. h.264) I-frame video. The 110 also offers real-time pulldown removal from Varicam sources as well as full clip editing, format cross-conversion, and playlist creation. $12K; AVC-I option is $3K.

Stereo Iconix rig

The Iconix camera is one of the very few HD cameras small enough to position side-by-side in a 3D rig with the normal 2.5” interaxial spacing. Even the SI-2K Mini 3D rig on Silicon Imaging’s booth used a beamsplitter to get the proper interaxial spacing. The Iconix camera itself (which in use is tethered to a CCU with a multipin cable) would just about fit inside your average prescription pill bottle.

Calibrated Codecs

Adam Wilt | 12/04- 05:08 PM

Use MXF media natively in FCP and on Windows; use FCP media on Windows and non-FCP Macs.

Need to use MXF media (P2 DVCPRO/50/HD and AVC-I, IMX, XDCAM) natively in Final Cut Pro, or in Windows NLEs? Need to play FCP-captured or FCP-generated Quicktimes with HDV, DVCPRO50/HD, or XDCAM/HD/EX content on Windows machines, or on Macs without Final Cut Studio? Check out http://www.calibratedsoftware.com/welcome.html.…