Bruce A. Johnson
A 1981 graduate of the Boston University College of Communication, Bruce A. Johnson got his first job in broadcast television at WFTV, an ABC affiliate in Orlando, FL. While there, he rose through the ranks from teleprompter operator to videographer, editor, producer and director of many different types of programming. It was in the early 1980's that he bought his first computer - a Timex/Sinclair 1000 - a device he hated so much, he promptly exchanged it for an Atari 400. But the bug had bitten hard.
In 1987, Johnson joined Wisconsin Public Television in Madison as a videographer/editor, and still works there to the present day. His responsibilities have grown, however, and now include research and presentations on the issues surrounding the digital television transition, new consumer technology and the use of public television spectrum in homeland security. He freelances through his company Painted Post MultiMedia, and has written extensively for magazines including DV and Studio Monthly.
|
 |
Friday, April 20, 2012
400 watts of LED replaces a 6K? Sounds good to me.
Next time you need to flood a room with soft light - in whatever color temperature - you should give the Ohm a look.
Friday, April 20, 2012
EZ to use, EZ on your wallet
I’ve always been intrigued by jib arms, and usually put off by their high prices. EZ-FX might have a solution to that problem.
Wednesday, April 18, 2012
The big one in the picture is TEN FEET TALL!
When I walked past these the first time, I thought they might be antennas left on the Moon to shoot signals back to earth. But a little research proved to me that these are great lighting devices. NOTE: a big “Thanks!” to my colleague Erik Higgs for letting me edit on his laptop while I was in Vegas.
Wednesday, April 18, 2012
You are going to have to look at your 4K footage on *something.*
At NAB 2012, when you see a crowd of people clotted around a small booth, it’s a sign you should pay attention. The Eizo full 4K monitor I found there was easily one of the most beautiful I saw all week, with a price tag to match. Also: A belated “Thanks!” to my colleague Erik Higgs for letting me edit on his laptop while in Vegas.
Tuesday, April 17, 2012
Kind of an unholy marriage between Ben-Hur and Blade Runner, and super-cool to boot.
Steadicams have great uses, and some downsides - like severe back strain. Here’s a great product that can help you get fantastic shots and keep you out of traction.
Tuesday, April 17, 2012
Another David looking for Goliath?
Another new-kid-on-the-block aims at the entrenched leader, this time in dangercams.
Tuesday, April 17, 2012
No, it isn’t a lizard.
There are a lot of DSLR mounts out there, but this one lets you say: “Look Mom, no hands.”
Tuesday, April 17, 2012
...can lift a lot of cameras.
I’m always looking for the next great aerial platform. This looks like a good candidate.
Page 1 of 23 pages 1 2 3 > Last »
|
 |
|
|
Art Adams
Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
Mark Spencer
On this week’s MacBreak Studio
Todd_Kopriva
Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.
Chris and Trish Meyer
...plus an update on what’s next for the Apprentice series.
Scott Simmons
Plus a little screencast in this blog post on a topic we didn’t get to cover.
Art Adams
You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.
Matt Jeppsen
Use a boom mic and some common sense!
Chris and Trish Meyer
Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.
Mark Spencer
Motion Magic on MacBreak Studio
Scott Simmons
These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement
Allan Tépper
If you agree, please sign the online petition requesting the required updates.
Michelle Gallina
CS6 Production Premium Road Show
|
|
|
|