Bruce A. Johnson

A 1981 graduate of the Boston University College of Communication, Bruce A. Johnson got his first job in broadcast television at WFTV, an ABC affiliate in Orlando, FL. While there, he rose through the ranks from teleprompter operator to videographer, editor, producer and director of many different types of programming. It was in the early 1980's that he bought his first computer - a Timex/Sinclair 1000 - a device he hated so much, he promptly exchanged it for an Atari 400. But the bug had bitten hard.

In 1987, Johnson joined Wisconsin Public Television in Madison as a videographer/editor, and still works there to the present day. His responsibilities have grown, however, and now include research and presentations on the issues surrounding the digital television transition, new consumer technology and the use of public television spectrum in homeland security. He freelances through his company Painted Post MultiMedia, and has written extensively for magazines including DV and Studio Monthly.


Wednesday, May 28, 2008

How Do You Watch Your TV?

Plasma?  LCD?  RPTV?  Tube?

An interesting article from TVTechnology.com shows that in the US, LCD flat-screens are selling at a rate that buries the competition by an eight-to-one ratio.

more »
(4) Comments • Most recent comments by: Danny Engesser, Danny Engesser, George Kroonder, • Permalink


Saturday, May 10, 2008

Your NLE: The most personal choice you can make?

I confess:  I’m a freak.  An outcast.  A hard case.  Why?  Because I use the wrong NLE. 

more »
(6) Comments • Most recent comments by: Praxis, Jorge, Erik Higgs, Scott Simmons, Scott Gentry, Corbor, • Permalink


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Rendering Motion Projects in Final Cut Pro
Mark Spencer

The key to dramatically faster render times

Cinema Craft Encoder MP for Compressor 3
Brian Gary

High Quality MPEG-2 Encoding for Final Cut Studio 2







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Rendering Motion Projects in Final Cut Pro

Mark Spencer | 05/20- 12:08 PM

The key to dramatically faster render times

If you have begun to explore Final Cut Studio’s application integration by embedding your Motion project files into your Final Cut Pro sequence, you may have noticed a rather large increase in render time for that sequence.

Part of the cause of the increased render time is due to the level of complexity of your Motion project, but there’s a setting in Final Cut Pro that can dramatically reduce render times with little to no impact on the quality of your Motion project—except for certain types of projects.

Cinema Craft Encoder MP for Compressor 3

Brian Gary | 05/14- 12:05 PM

High Quality MPEG-2 Encoding for Final Cut Studio 2

Cinema Craft, the industry leader in MPEG-2 encoding for DVD, is going to release a Compressor 3 plug-in by the end of this month. I wrote an article on Ken Stone’s site that takes a look at both the plug-in itself and the technology behind it…the Cinema Craft Xtream encoding engine. The majority of Hollywood releases on DVD have been encoded using the Xtream engine, and it’s the same engine that’s at the core of the Cinema Craft Encoder MP plug-in for Compressor.

In addition to high quality, Cinema Craft Encoder MP is a full Compressor plug-in (vs. a QuickTime Component) so it has access to all of Compressor’s features like frame controls and geometry.

If you’re going to be in Los Angeles on May 21st, 2008, I’m going to do a demo of the software at the May LAFCPUG meeting.

BG

 

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