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Bruce A. Johnson
A 1981 graduate of the Boston University College of Communication, Bruce A. Johnson got his first job in broadcast television at WFTV, an ABC affiliate in Orlando, FL. While there, he rose through the ranks from teleprompter operator to videographer, editor, producer and director of many different types of programming. It was in the early 1980's that he bought his first computer - a Timex/Sinclair 1000 - a device he hated so much, he promptly exchanged it for an Atari 400. But the bug had bitten hard. In 1987, Johnson joined Wisconsin Public Television in Madison as a videographer/editor, and still works there to the present day. His responsibilities have grown, however, and now include research and presentations on the issues surrounding the digital television transition, new consumer technology and the use of public television spectrum in homeland security. He freelances through his company Painted Post MultiMedia, and has written extensively for magazines including DV and Studio Monthly. 
Want To Fly In First Class On Your Next Gig? Here’s How!REVIEW: Fast Forward Video Sidekick HD Recorder/MonitorIs TV Broken?Canon Cinema EOS C300: A Dissenting ViewThe One Collaboration I Need Adobe To MakeREVIEW: Litepanels Sola ENG LED Fresnel LightThe Phantom HumToday The GoPro Let Me DownBlackmagic Design at NAB 2011 Part 2Blackmagic Design at NAB2011 Part 1PVC NAB 2011: Rotor ConceptsPVC NAB 2011: Topaz LabsPVC NAB 2011: Camlight Focusing LED Studio LampPVC NAB 2011: Arri L7T LED Fresnel LightPVC NAB 2011: Mushroom Networks TeleporterPVC NAB 2011: TVUPackPVC NAB 2011: MinicasterPVC NAB 2011: SteadisegPVC NAB 2011: Petrol Cambio SuitcasePVC NAB 2011: Hoodman Photo FramesPVC NAB 2011: PortaBrace Audio Organizer FlexPVC NAB 2011: Markertek VPTR1 Production TrailerPVC NAB 2011: Litepanels Sola ENG LightPVC NAB 2011: Ikan Monitors at NAB 2011A DSLR Resurrection
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REVIEW: Petrol PMLCB-2 Production BackpackA Lotta Backpack For A Hundred Bucks
Flying with equipment in the 1980’s was a piece of cake. We used to pull up to the curb at the airport with eleven cases of gear, and when the skycaps came running we’d give $50 to the man in charge and say, “Make sure it gets on the plane.” And it always did. more »“John Adams” and the Power of WordsForgive me for more jabberings about the excellent HBO series “John Adams,” but I recently bought the 3-DVD set. And what a set it is! more »Page 1 of 1 pages Advertisement |
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Find Your Voice
Recording & Editing Multi-take Voice Overs in Soundtrack Pro
In this excerpt from Ripple Training’s “Sound Editing & Mastering in Soundtrack Pro” Steve will show you how fast, fluid and fun it is to edit voice overs in Soundtrack Pro using the Multitake Editor.
Color Workflows With Different Video Formats
Getting Video In and Out of Color
One of the most confusing issues that comes up frequently with new users of Color is how to get in and out of Color with different types of video formats. Therefore, the purpose of this article is to clear up the confusion by presenting the four main workflows Color can utilize, as well as how each format can be handled by Color. This article relates to users of Color version 1.0.2 or later. We’ll look at how to handle video formats captured via capture card, as well as how to work with “native” formats captured via FireWire such as DV, DVCPRO 50, DVCPRO HD and HDV.
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