Bruce A. Johnson

A 1981 graduate of the Boston University College of Communication, Bruce A. Johnson got his first job in broadcast television at WFTV, an ABC affiliate in Orlando, FL. While there, he rose through the ranks from teleprompter operator to videographer, editor, producer and director of many different types of programming. It was in the early 1980's that he bought his first computer - a Timex/Sinclair 1000 - a device he hated so much, he promptly exchanged it for an Atari 400. But the bug had bitten hard.

In 1987, Johnson joined Wisconsin Public Television in Madison as a videographer/editor, and still works there to the present day. His responsibilities have grown, however, and now include research and presentations on the issues surrounding the digital television transition, new consumer technology and the use of public television spectrum in homeland security. He freelances through his company Painted Post MultiMedia, and has written extensively for magazines including DV and Studio Monthly.


Wednesday, April 22, 2009

Live From NAB: The SkyDolly

Aerial Coverage With A Human Scale

Another aerial-themed post:  As Jim Feeley and I walked past the Silicon Imaging booth, I couldn’t miss the 3-foot fan mounted to the back of what looked like a race car seat.  Upon further inspection, it turns out that this is the cockpit for a powered parachute operated by Norm Bercerra, founder of SkyDolly.  Basically, the powered parachute frame has a hand-made weatherproof camera case mounted to it, but what makes it special is that the camera is actually controlled by radio control from the ground by another operator.  This leaves the pilot able to concentrate on flying the chute.  Early shoots have used the Silicon Optics Mini 2K camera (which shot “Slumdog Millionaire,” 2008’s Best Movie Oscar winner.)  I love the inventiveness involved in this product!  Learn more at their website.


Cameras
Hardware
NAB 09
Production • (0) Comments • • Permalink


Wednesday, April 22, 2009

Live From NAB:  A Video Helicopter For $300?

No, That Isn’t A Misprint

I love the odd finds at NAB.  You can get highly sophisticated massage chairs, straps that keep your spine straight, a brain massager fetchingly named “The Tingler” and more, but at least the DigitTronics video helicopter might conceivably qualify as a video tool.  The one on sale here features counter-rotating lift blades (no tail rotor), 2.4Ghz wireless control, and a tiny wireless video camera that has a claimed range of 1000 feet (best practice:  divide that by 10.)  Still, for a show special price of $299, it had a long line of potential pilots pulling out the plastic.

I’ve been flying radio-controlled fixed-wing planes for quite a while, and the one piece of wisdom I can offer is this:

“You can trim a plane to fly itself, but a copter is always trying to kill you.”

But give it a shot.  I might.

PS:  Don’t hate me for the video - I shot it with a Canon still camera.


Cameras
Hardware
NAB 09
Production
Tips • (1) Comments • Most recent comments by: nobinkhands, • Permalink


Wednesday, April 22, 2009

Live from NAB:  The Numbers Are In

And They Are Down

According to an NAB mailing entitled “Organizers deem NAB Show a success despite tough economy”....

FTA: 

“Attendance for this year’s NAB Show in Las Vegas is 83,842 compared the roughly roughly 104,000 for the 2008 edition. But organizers called the event a “phenomenal success” given the down state of the economy. “We appreciate the strong support of both exhibitors and attendees who continue to make The NAB Show the most important annual event for the electronic media marketplace,” NAB spokesman Dennis Wharton said.

Well, it certainly could have been worse.  I actually enjoyed having less competition to see products, but I doubt that is the attitude of many exibitors.


Business
NAB 09
Tips • (1) Comments • Most recent comments by: Adam Wilt, • Permalink


Tuesday, April 21, 2009

Live From NAB:  I Get To See The Inflatable Camera Bag!

...Or At Least The Prototype

Regular readers might remember this post a few weeks back about Kata announcing an inflatable camera bag, to protect your baby in the overhead compartment during commercial airline flights.  Well, today I got to see the prototype.  It looks a lot like the Michelin Man, and it does appear that it would do a great job of protecting a camera.  I can’t wait to see the production version.

UPDATE:  Did you notice?  I got my Kata’s and Petrols mixed up!  Sorry about that - today I’ll go look at the REAL Petrol inflatable bag!!  The Kata does look cool, though.


Cameras
Hardware
NAB 09
Production • (0) Comments • • Permalink


Tuesday, April 21, 2009

If You Are In the Las Vegas Convention Center And Hungry…

...Eat Here!

If you eat in the LVCC, you are going to pay thru the nose.  That’s just the way it is.  Better to spend your dough on some decent, Kosher deli, right?  Uncle Joel and Darryl’s New York Deli is located near the back end of the Central Hall.  I paid about $14 for a enormous Reuben, potato salad, a pickle and a drink.  Not free, to be sure, but you can spend a lot more and get a lot less, I assure you!  Highly recommended.


NAB 09
Tips • (0) Comments • • Permalink


Tuesday, April 21, 2009

Live From NAB: The EX3 Gets A Shoulder Mount…

...And It’s About Time!

For all of the nice things that can be said about Sony’s PMW-EX3 camcorder, one of the primary gripes I hear is about is the form factor.  Shooters that are used to a camera that sits on their shoulder can have a very hard time adapting to the Canon XL-esque shape of the EX3.  Those moans have not gone unheard, apparently.  While walking through the Anton-Bauer booth here at NAB 2009, I stumbled across the DM-Accessories EX3-Shoulder.  It is a shoulder mount that is built of very stout aluminum parts, with comfy foam padding underneath.  The reason it was being shown at Anton-Bauer was that it had an A/B Dionic battery mounted on the rear.  When I put the EX3 on my shoulder, it still felt a bit nose-heavy, but then the salesman flipped open the back plate, moving the battery back and balancing the center of gravity almost perfectly. 

It may look a little funny, but it really works.  DM-Accessories sells the EX3 Shoulder and other cool stuff through their website.


Cameras
Hardware
NAB 09
Production • (0) Comments • • Permalink


Tuesday, April 21, 2009

Live From NAB: Get A Handle On Your Camera

Ugrip Customizes Your Camera To You

There aren’t too many cameras out there that make everyone happy right out of the box.  Sometimes you have to adjust things to make the camera feel like it is “your own.”  A Danish company called Ugrip has come up with a very cool system of plates and handles for just about every camera in use today.  Once installed, the systems allow many places to mount handles, accessories or even mounting boxes for devices like Firestore drives.  The handles are particularly clever; by loosening an Allen screw in their base you can gimbal the padded handle through a large range of motion.  Ugrip parts can be purchased ala carte, or in pre-packaged kits for specific cameras.  You can learn more at the Ugrip website, or at B&H Photo/Video’s website.


Cameras
Hardware
NAB 09
Production • (1) Comments • Most recent comments by: moklas009, • Permalink


Tuesday, April 21, 2009

Live from NAB:  Get That Car Shot…

...Without Losing The Camera

There are few contemporary movies where at least some of the action doesn’t take place in a car.  Of course, when Hollywood does it, they do it big, by mounting the car on a trailer and allowing cameramen, gaffers and such to rig the cameras, lights and such to hardpoints on the trailer.  Unfortunately, most of us aren’t in that position, and to the rescue comes Delkin Devices.  Their Fat Gecko Camera Mount features two locking suction cups attached to a short arm that adjusts to point the camera in the right direction.  With a weight limit of 8 pounds, you won’t be mounting an Arriflex on it, but there are hundreds of video cameras that fit under that limit.  (Of course, let’s not be stupid - you should safety-cable the camera in case of trouble.)  The Fat Gecko was on sale for $80 at the B&H Photo booth, and you can find out even more at the Delkin Devices website.


Cameras
Hardware
NAB 09
Production • (0) Comments • • Permalink


Page 1 of 2 pages  1 2 >

Advertisement



2D Footage with a Stereo 3D Rig in After Effects CS5.5
Jeff Foster

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

How to get the “24p” look for your live-switched multicam shoot
Allan Tépper

A contracted article, sponsored by Datavideo Corporation.

Gear In 60 Seconds – Nauticam NA-60D
Matt Jeppsen

Getting watery trick shots with this DSLR housing

Any Way You Want It
Mark Spencer

Setting Up a Rig in Motion 5 on MacBreak Studio

Editing with Final Cut Pro X
Mark Spencer

7 Professional Editors Share Their FCP X Experiences

Another week in After Effects
Rich Young

A news roundup

Redrock Micro’s ultraCage for the C300
Clint Milby

New Cage Fits New Camera Like A Glove

Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
Scott Simmons

If you haven’t heard they have moved from FCP7 to Media Composer

Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update
Scott Simmons

The ease of setup and managing multicam clips makes this the best FCPX update yet

25 Camera Angles in 25 Minutes
Mark Spencer

Multicamera Editing in Final Cut Pro X

Expression Shorts - Numerical Readout
David Torno

Create numerical readouts for use in HUD style graphics.

If You Make Your Living In Post, Don’t Miss The HPA Tech Retreat
Terence Curren

The best event for keeping up to speed in the post production world.







2D Footage with a Stereo 3D Rig in After Effects CS5.5

Jeff Foster | 02/10- 06:09 PM

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.

image

How to get the “24p” look for your live-switched multicam shoot

Allan Tépper | 02/10- 04:23 PM

A contracted article, sponsored by Datavideo Corporation.

Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2011, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank