Blackmagic Design at NAB2011 Part 1

Here’s a quick look at Blackmagic Davinci Resolve 8, including discussion of its new XML capabilities to ease the workflow with Final Cut Pro. A combination of a loud room and a hoarse throat doesn’t help the audio, but the info is good enough to share anyway.  Enjoy!

PVC NAB 2011: Topaz Labs

You know how hard you laughed when you watched “CSI” or any other cop show and the detective told the computer kid to “zoom in on that photo…and…enhance”?  This demo might just give you pause. Great looking software, too.

A Modest Proposal Regarding Editing Software

In the beginning, there was Avid…and it was OK. 

First Impressions From NAB 2011

It’s amazing how much I both look forward to - and simultaneously dread - coming to NAB. 

Tantalizing News From Telestream

It’s no secret that I am a PC user.  I’m very happy with the performance of Adobe Premiere Pro CS5 (and all the other programs in the Adobe suite) on my HP Z800 machine.  However, some of my client’s end-users are Mac people, and have at different times demanded output in the Apple ProRez codec…

,,,which, of course, PCs cannot do.  At least, until now, if what Telestream has to say pans out.  Imagine my interest when I saw this headline in an email:

Telestream Enables Encoding to ProRes on Windows Server Products

Details as of now are hazy, and I have asked for clarification.  But if this turns out to be what it sounds like, it could be a great step forward in making peace between the Windows and Apple editing camps.

Sounds too good to be true, doesn’t it?  What do you think?

What $300 Buys These Days

OK, folks, have a look at “Lazy Teenage Superheroes,” a funny, really watchable (and slightly NSFW for language) 13-minute riff on science fiction:

REVIEW:  Hulu Plus

It’s kind of hard to believe I started gushing over the Roku box over two years ago... and again here... and here.  This little plastic box has really revolutionized the distribution of content, from heavy hitters like Netflix, Major League Baseball and the National Hockey League,  to middle-level new entrants like the TwiT Network and Revision 3, to seemingly home-grown efforts like Trigger Talk TV and Proud Television. In fact, the Roku Box just passed the 100-channel point, and there doesn’t seem to be any limit to what the little box can offer.

It’s in the wake of this that the folks at Hulu decided to offer their new pay-service, Hulu Plus, on the Roku and several other devices.  As a consequence of buying a Roku for my mother-in-law for a Christmas present (shhhhh!  Don’t tell her!) I got a 1-month free trial of Hulu Plus.  What I have seen in the last few weeks doesn’t give me a lot of optimism for Hulu Plus as a service.

First, the good:  Same-week streaming of network programming from Fox, NBC and ABC, the three co-owners of Hulu.  This means you can catch up on your “Glee,” “Modern Family” and “30 Rock” fixes without a DVR.  But sadly, that’s pretty much where the good times end.

Much has been written about Hulu Plus’ allegedly fabulous interface, but really, it seems to me to be much too linear and inflexible, arraying long lists of programs in a horizontal line for you to page through.  And while they do have a fairly good selection of network programming, there are many odd omissions (where, for instance, is Fox’s “The Simpsons”?)  And beyond the network TV fare is a very limited list (about 525 at last count) of B-movies and unheard-of documentaries that weren’t very popular in their first incarnations.  But worst of all is the inclusion of commercials in a service that you have to cough up $8 a month for. 

In a previous life, I switched a lot of master control for a network affiliate station.  All of us MC switchers knew what was at stake in every break, and we strove to make the flow as seamless and - dare I say it - artistic as possible.  If Hulu has any humans inserting the commercials into their shows, I suggest they get replaced immediately.  However, I’m quite certain that the closest any beating heart gets to this process is punching a schedule into a computer and pushing the “go” button.  Breaks are poorly executed, oftentimes jumping into a show early (in the biz this is known as a “downcut”,) sometimes to the point where you miss the punchline of a meticulously-crafted joke in a show like “30 Rock.”  And as dismal an experience as this is, it is a hundred times worse in long-form programs without defined breaks.  One of the few documentaries I wanted to watch in the Hulu Plus list was “For All Mankind”, a meticulous recounting of the NASA Apollo moon landing missions.  It kind of breaks up the flow of the show when as the Lunar Module is starting it’s descent to the Moon, a clumsy cut inserts a commercial for REI.  And this happens just about every five minutes!  Add to this the occasional video lockup and it makes for an experience that doesn’t really merit the $8 per month they are demanding - especially when the new Netflix streaming-only service (albeit without the same-season network TV programming) costs the same, with much better streaming, a much, MUCH larger selection of content, and no commercials.

In short, I predict a quick death for Hulu Plus.  The service just doesn’t justify the expense. 

Have you tried Hulu Plus out?  What do you think of it?

Let’s Clean Up That Shot - Beforehand!

We’ve all gotten our footage back to the edit bay and found something we didn’t want in the frame.  Light stand, audio cable, water bottle, you name it.  What if we could remove irritants from the picture BEFORE the fact - without actually moving anything?  Check the next page for an amazing demo.

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