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Bruce A. Johnson
A 1981 graduate of the Boston University College of Communication, Bruce A. Johnson got his first job in broadcast television at WFTV, an ABC affiliate in Orlando, FL. While there, he rose through the ranks from teleprompter operator to videographer, editor, producer and director of many different types of programming. It was in the early 1980's that he bought his first computer - a Timex/Sinclair 1000 - a device he hated so much, he promptly exchanged it for an Atari 400. But the bug had bitten hard. In 1987, Johnson joined Wisconsin Public Television in Madison as a videographer/editor, and still works there to the present day. His responsibilities have grown, however, and now include research and presentations on the issues surrounding the digital television transition, new consumer technology and the use of public television spectrum in homeland security. He freelances through his company Painted Post MultiMedia, and has written extensively for magazines including DV and Studio Monthly. 
NAB 2012: Trucolor Ohm Space LightNAB 2012: EZ-JibNAB 2012: Profoto Reflector UmbrellasNAB 2012: Eizo 4K MonitorNAB 2012: T3 Motion Camera TransporterNAB 2012: Epic HD1080 Danger CamNAB 2012: Swedish Chameleon DSLR Shoulder MountNAB 2012: PhotoHigher HexacopterNAB 2012: Art Lebedev Optimus Popularus KeyboardNAB 2012: Mini Dolly SliderNAB 2012: Plasticase NanukNAB 2012: Maybe this means nothing.NAB 2012: Sony Press ConferenceREVIEW: Blackmagic ATEM 1 M/E Video SwitcherWant To Fly In First Class On Your Next Gig? Here’s How!REVIEW: Fast Forward Video Sidekick HD Recorder/MonitorIs TV Broken?Canon Cinema EOS C300: A Dissenting ViewThe One Collaboration I Need Adobe To MakeREVIEW: Litepanels Sola ENG LED Fresnel LightThe Phantom HumToday The GoPro Let Me DownBlackmagic Design at NAB 2011 Part 2Blackmagic Design at NAB2011 Part 1PVC NAB 2011: Rotor Concepts
April 2012March 2012December 2011November 2011September 2011July 2011June 2011May 2011April 2011March 2011February 2011January 2011December 2010November 2010October 2010September 2010August 2010July 2010June 2010May 2010April 2010March 2010February 2010January 2010November 2009August 2009July 2009June 2009April 2009March 2009February 2009January 2009December 2008November 2008October 2008September 2008August 2008July 2008June 2008May 2008April 2008March 2008February 2008Complete Archives |
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NAB 2012: Trucolor Ohm Space Light400 watts of LED replaces a 6K? Sounds good to me. Next time you need to flood a room with soft light - in whatever color temperature - you should give the Ohm a look.
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NAB 2012: EZ-JibEZ to use, EZ on your wallet I’ve always been intrigued by jib arms, and usually put off by their high prices. EZ-FX might have a solution to that problem.
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NAB 2012: Profoto Reflector UmbrellasThe big one in the picture is TEN FEET TALL! When I walked past these the first time, I thought they might be antennas left on the Moon to shoot signals back to earth. But a little research proved to me that these are great lighting devices. NOTE: a big “Thanks!” to my colleague Erik Higgs for letting me edit on his laptop while I was in Vegas.
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NAB 2012: Eizo 4K MonitorYou are going to have to look at your 4K footage on *something.* At NAB 2012, when you see a crowd of people clotted around a small booth, it’s a sign you should pay attention. The Eizo full 4K monitor I found there was easily one of the most beautiful I saw all week, with a price tag to match. Also: A belated “Thanks!” to my colleague Erik Higgs for letting me edit on his laptop while in Vegas.
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NAB 2012: T3 Motion Camera TransporterKind of an unholy marriage between Ben-Hur and Blade Runner, and super-cool to boot. Steadicams have great uses, and some downsides - like severe back strain. Here’s a great product that can help you get fantastic shots and keep you out of traction.
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NAB 2012: Epic HD1080 Danger CamAnother David looking for Goliath? Another new-kid-on-the-block aims at the entrenched leader, this time in dangercams.
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NAB 2012: Swedish Chameleon DSLR Shoulder MountNo, it isn’t a lizard. There are a lot of DSLR mounts out there, but this one lets you say: “Look Mom, no hands.”
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NAB 2012: PhotoHigher Hexacopter...can lift a lot of cameras. I’m always looking for the next great aerial platform. This looks like a good candidate.
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Compositing in FCP X
On this week’s MacBreak Studio
On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.
David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.
In December 2011, the 12th quadrennial Arab Games took place in Doha, Qatar at Khalifa International Stadium. As part of the planning process for the Doha games, the world-renowned event production agency, David Atkins Enterprises (DAE), was commissioned to conceive and produce the opening and closing ceremonies. Following this commission, DAE contracted Australian digital design and video production specialists, Digital Pulse, to produce the animated visuals for the opening ceremony including the athletes’ parade and cultural segments. Far from a conventional production canvas, the animated visuals that the Digital Pulse team were to produce for the event would have to play seamlessly across the stadium’s two different playback systems: a contiguous LED system installed behind all stadium seats and an 86-projector projection system that covered a world record 12,600 cubic metres of on-field projection space.
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