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Bruce A. Johnson
A 1981 graduate of the Boston University College of Communication, Bruce A. Johnson got his first job in broadcast television at WFTV, an ABC affiliate in Orlando, FL. While there, he rose through the ranks from teleprompter operator to videographer, editor, producer and director of many different types of programming. It was in the early 1980's that he bought his first computer - a Timex/Sinclair 1000 - a device he hated so much, he promptly exchanged it for an Atari 400. But the bug had bitten hard. In 1987, Johnson joined Wisconsin Public Television in Madison as a videographer/editor, and still works there to the present day. His responsibilities have grown, however, and now include research and presentations on the issues surrounding the digital television transition, new consumer technology and the use of public television spectrum in homeland security. He freelances through his company Painted Post MultiMedia, and has written extensively for magazines including DV and Studio Monthly. 
Want To Fly In First Class On Your Next Gig? Here’s How!REVIEW: Fast Forward Video Sidekick HD Recorder/MonitorIs TV Broken?Canon Cinema EOS C300: A Dissenting ViewThe One Collaboration I Need Adobe To MakeREVIEW: Litepanels Sola ENG LED Fresnel LightThe Phantom HumToday The GoPro Let Me DownBlackmagic Design at NAB 2011 Part 2Blackmagic Design at NAB2011 Part 1PVC NAB 2011: Rotor ConceptsPVC NAB 2011: Topaz LabsPVC NAB 2011: Camlight Focusing LED Studio LampPVC NAB 2011: Arri L7T LED Fresnel LightPVC NAB 2011: Mushroom Networks TeleporterPVC NAB 2011: TVUPackPVC NAB 2011: MinicasterPVC NAB 2011: SteadisegPVC NAB 2011: Petrol Cambio SuitcasePVC NAB 2011: Hoodman Photo FramesPVC NAB 2011: PortaBrace Audio Organizer FlexPVC NAB 2011: Markertek VPTR1 Production TrailerPVC NAB 2011: Litepanels Sola ENG LightPVC NAB 2011: Ikan Monitors at NAB 2011A DSLR Resurrection
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Focus Enhancements FSH-200 Solid State DTE RecorderAt a street price of $899 I can see adding the FSH-200 and Compact Flash to my arsenal.
Isn’t tape dead yet? The tenacity of the recording medium that first recorded video in the mid-1950’s is pretty impressive, especially lately. Almost a dozen hard-drive and solid-state recording devices have come to life since the turn of the century. The assets these formats bring to the table are formidable – most have no or many fewer moving parts than a tape drive, and all offer almost instantaneous access to footage. However, all of these challengers to the crown share one huge negative attribute – they are, on a minute-by-minute basis, from a dozen to a hundred times more expensive than recording on a tape. And how do you archive with them? A field tape is its own archiving solution. Still, the appeal of the upsides of non-tape recording are pushing more and more production companies into hard-drive and solid-state recording. more »
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