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Bruce A. Johnson
A 1981 graduate of the Boston University College of Communication, Bruce A. Johnson got his first job in broadcast television at WFTV, an ABC affiliate in Orlando, FL. While there, he rose through the ranks from teleprompter operator to videographer, editor, producer and director of many different types of programming. It was in the early 1980's that he bought his first computer - a Timex/Sinclair 1000 - a device he hated so much, he promptly exchanged it for an Atari 400. But the bug had bitten hard. In 1987, Johnson joined Wisconsin Public Television in Madison as a videographer/editor, and still works there to the present day. His responsibilities have grown, however, and now include research and presentations on the issues surrounding the digital television transition, new consumer technology and the use of public television spectrum in homeland security. He freelances through his company Painted Post MultiMedia, and has written extensively for magazines including DV and Studio Monthly. 
NAB 2012: Trucolor Ohm Space LightNAB 2012: EZ-JibNAB 2012: Profoto Reflector UmbrellasNAB 2012: Eizo 4K MonitorNAB 2012: T3 Motion Camera TransporterNAB 2012: Epic HD1080 Danger CamNAB 2012: Swedish Chameleon DSLR Shoulder MountNAB 2012: PhotoHigher HexacopterNAB 2012: Art Lebedev Optimus Popularus KeyboardNAB 2012: Mini Dolly SliderNAB 2012: Plasticase NanukNAB 2012: Maybe this means nothing.NAB 2012: Sony Press ConferenceREVIEW: Blackmagic ATEM 1 M/E Video SwitcherWant To Fly In First Class On Your Next Gig? Here’s How!REVIEW: Fast Forward Video Sidekick HD Recorder/MonitorIs TV Broken?Canon Cinema EOS C300: A Dissenting ViewThe One Collaboration I Need Adobe To MakeREVIEW: Litepanels Sola ENG LED Fresnel LightThe Phantom HumToday The GoPro Let Me DownBlackmagic Design at NAB 2011 Part 2Blackmagic Design at NAB2011 Part 1PVC NAB 2011: Rotor Concepts
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Tantalizing News From TelestreamApple ProRez Encoding On The PC?
It’s no secret that I am a PC user. I’m very happy with the performance of Adobe Premiere Pro CS5 (and all the other programs in the Adobe suite) on my HP Z800 machine. However, some of my client’s end-users are Mac people, and have at different times demanded output in the Apple ProRez codec… ,,,which, of course, PCs cannot do. At least, until now, if what Telestream has to say pans out. Imagine my interest when I saw this headline in an email: Telestream Enables Encoding to ProRes on Windows Server Products Details as of now are hazy, and I have asked for clarification. But if this turns out to be what it sounds like, it could be a great step forward in making peace between the Windows and Apple editing camps. Sounds too good to be true, doesn’t it? What do you think?
Apple •
Final Cut Pro •
compression •
CS5 •
Distribution •
Editing •
GentryMedia Sister Sites •
Mac Coalition •
ProVideo Coalition •
NAB 2011 •
Post Production •
Production •
Software •
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Tantalizing News From Telestream
Apple ProRez Encoding On The PC?
It’s no secret that I am a PC user. I’m very happy with the performance of Adobe Premiere Pro CS5 (and all the other programs in the Adobe suite) on my HP Z800 machine. However, some of my client’s end-users are Mac people, and have at different times demanded output in the Apple ProRez codec…
,,,which, of course, PCs cannot do. At least, until now, if what Telestream has to say pans out. Imagine my interest when I saw this headline in an email:
Telestream Enables Encoding to ProRes on Windows Server Products
Details as of now are hazy, and I have asked for clarification. But if this turns out to be what it sounds like, it could be a great step forward in making peace between the Windows and Apple editing camps.
Sounds too good to be true, doesn’t it? What do you think?
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