Wednesday, May 18, 2011

Internships in Post, Good Idea or Bad?

Terence Curren | 05/18- 12:46 PM

Do they help you enter the entertainment field, or are they just an excuse for free labor?

In episode 27 of “The Terence & Philip Show” Philip and I are joined by former intern and current Alpha Dogs’ employee Isai Espinoza in a discussion about the value of Internships to both the employer and the intern.
How to get the best out of an internship, and what’s in it for the employer are the main subjects.
In typical fashion, this quickly leads to a discussion about breaking into the business, and what it takes to make it.

Click below to join our latest conversation.

more »

Friday, May 13, 2011

NAB 2011: Teradek Revolutionizes Live Broadcast

Clint Milby | 05/13- 01:35 PM

Landmark Broadcast at NAB Proves the Power of the Cube

We had a chance to visit with Rod Clark of Teradek who talked about the evolution of their products.

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Wednesday, April 13, 2011

A Modest Proposal Regarding Editing Software

Bruce A Johnson | 04/13- 02:07 PM

...with apologies to Jonathan Swift

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In the beginning, there was Avid…and it was OK. 

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Monday, April 11, 2011

NAB 2011 - Sunday Seminars

Adam Wilt | 04/11- 09:31 AM

I sampled several seminars in the Post|Production World and Digital Cinema Summit.

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DP Brian Pearson wields an EPIC as RED’s Ted Schilowitz watches.

On Sunday I sat in on several classes and sessions, to get a feel for the non-show-floor goings-on at NAB. Herewith, my fragmented, barely-edited notes.

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Tuesday, March 29, 2011

Video post-production: a 2011 top career that is dying

Scott Simmons | 03/29- 06:10 PM

The research analysts have spoken so it must be true

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If you were wandering around the Twitter world this morning you might have seen discussion of a Wall Street Journal story that listed “video post production services” as one of the top 10 dying industries! But don’t be too sad fellow editors, this Business Week article lists editors as one of the Top 10 Careers of 2011! We’re damned if we do, damned if we don’t.

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Saturday, March 26, 2011

No More HDCAMSR Stock! Now What?

Terence Curren | 03/26- 02:11 PM

The tape shortage crisis and what it means to production and post.

Terence and Philip start discussing the tape shortage crisis – particularly HDCAM SR – caused by the situation in Japan: is tape dead, or will it merely lead to a resurgence of D5? Who’s accepting file-based delivery, is that even practical, and who gets to drive the need for tape delivery?

Remember, “No-one ever voluntarily changes their workflow”!

Considerations of tape shortage leads to discussion on archiving non-tape sources, and the issues surrounding that.

Click below to join in on the conversation in Episode 23 of The Terence & Philip Show.

more »

Friday, March 18, 2011

Thunderbolt!

Terence Curren | 03/18- 07:17 AM

What impact will this blazing new technology have on our world?

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You’ve likely heard about the new interconnect technology called Thunderbolt. With two 10 Gbit/sec channels this has some interconnect power, at budget pricing. It’ll make a big difference when momentum gathers.
How will affect production and post production?
What will it do to the future of computers?
Will Apple still need to make towers?
Philip Hodgetts and I debate this and more on episode 22 of the Terence&Philip show.
Click below and join the debate.

more »

Thursday, March 17, 2011

Has Shakycam Finally Run Its Course?

Bruce A Johnson | 03/17- 03:53 PM

Let’s all hope so…

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GREAT review of the new movie “Battle: Los Angeles” by Matt Zoller Seitz at Salon.com, taking the filmmakers to task for the evil combination of long zoom, short depth of field, and lack of shot stability that equates to nausea for the viewers.  Huzzah!  Huzzah!  Something that has needed to be said for over a decade!

Will it make a difference?  Doubtful.  You see as many faux-Steadicams as decent tripods at NAB, a travesty I expect to continue next month.  Anybody want to lay odds?

And no, I haven’t yet seen “Battle: Los Angeles,” but once it hits the Roku I promise to pop a few Dramamine and give it a go.

more »

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2D Footage with a Stereo 3D Rig in After Effects CS5.5

Jeff Foster | 02/10- 06:09 PM

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.

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How to get the “24p” look for your live-switched multicam shoot

Allan Tépper | 02/10- 04:23 PM

A contracted article, sponsored by Datavideo Corporation.

Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.

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