Chris & Trish Meyer

Chris & Trish Meyer are the founders of CyberMotion, an award-winning Los Angeles motion graphic design studio. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, The Learning Channel, HBO, and PBS. CyberMotion was one of the first studios to create major release film opening titles using desktop tools (including major films such as The Taleneted Mr. Ripley), and they have also created promotional and trade show videos for corporate clients from Apple Computer to Xerox. They specialize in unusual format videos, having animated for IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas.

In addition to their motion graphics work, Trish and Chris have written the books "Creating Motion Graphics with After Effects" and "After Effects Apprentice" (both published by Focal Press). They have written numerous articles on motion graphics for DV magazine, Artbeats.com, and others, and have spoken at AFI, MacWorld, BDA, NAB, and other conferences.

Trish founded CyberMotion after an extensive career in print as a magazine art director for music technology magazines. Her partner Chris, a refugee from the music industry, specializes in sound design and 3D work as well as dealing with multi-format technical issues. Both Trish and Chris have backgrounds as musicians, and a close relationship between sound and picture informs much of their work. They were one of the original beta sites for CoSA (now Adobe) After Effects, and continue to work with that team as well as others to this day.


Tuesday, February 05, 2008

Adobe/MAXON Power Integration Tour

Who doesn’t like free food, prizes, and information?

We have long been fans of Cinema 4D as a 3D package for motion graphics artists, both for its feature set (including the powerful MoGraph module) and its very tight integration with After Effects. We focused on this integration in Chapter 38 of Creating Motion Graphics 4th Edition (an excerpt from that chapter can be downloaded here ).

Last year Adobe and Maxon did a joint tour touting this integration. They had so much fun, they’’re doing it again this year. The first event was at the January 2008 DMA/LA meeting; the tour proper kicks off February 26 in San Francisco - see the full list of cities and dates below.

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Motion Graphics
Post Production
Training
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Friday, February 01, 2008

Pardon the Interruption: UPS Musings

Newer computers need larger-capacity UPSs to keep running.

We’re having the hardwood floors in the office refinished. They brought in a huge electric sander that didn’t even have a plug; they wired it straight into the circuit breaker panel. Needless to say, every time they turned it on, the lights dimmed.

This brings up the subject of battery backup power for your computer workstations, commonly known as a UPS (Uninterruptible Power Supply). In short, you should have one on each computer, keeping it and your drives alive when the power blips. You can’t work all day off of them (unless you have a truly huge one), but they’ll keep you up long enough to hit “save” - rather than suffer through a data loss.

We used to have UPSs in the 450 to 650 VA (volt-amp) range. They were fine for our Mac G3s and G4s. Things weren’t so rosy when we started getting multi-processor G5s a few years back: One power blip, and everyone was dead. We’ve had to move up to supplies with at least a 950 VA rating. Higher ratings mean longer running times, plus more future-proofing for when you buy an even more powerful (and power-hungry) computer in the future.

These beasts are a lot less expensive than they used to be, especially if you buy refurbished models. We get ours from UPS For Less, where used units are dirt cheap - roughly $100 for a 1000 VA unit (normally $500+) is a common price. Replacement batteries (which you will need every few years) can be had from a number of places; just Google them.

Here’s a dark secret about most UPS devices: The power they output is not as “clean” as the outlet on the wall; they fake the sine wave of the alternating current. This isn’t a problem with computers, but can cause noise in sensitive audio devices. If this is an issue for you, look for supplies that say they have a “true” rather than “simulated” sine wave output.


Hardware • (0) Comments • • Permalink



Friday, February 01, 2008

Welcome to Creating Motion Graphics

Sharing in a new place.

Welcome to the Creating Motion Graphics blog on ProVideo Coalition! We’re very happy to be here, and look forward to using this new forum to share with our fellow motion graphics artists tips and trends that we think might be useful or intriguing. We will also be posting an archive of many of our past articles and columns which contain a wealth of advice and techniques. And on occasion, we will be posting our musings on the state of the industry (such as in the rest of this entry, past the “more” jump).

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Business
Motion Graphics
Post Production
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Page 2 of 2 pages  <  1 2

New Content, Better Model

Frank Capria | 02/29- 11:53 AM

Unlike NBC’s use of the internet as a minor league tryout space, Disney-ABC create content exclusively for IP and mobile.

The Disney-ABC Television Group…

Final Effects Complete version 5: Why?

Chris Meyer | 02/29- 07:00 AM

Boris FX has updated FEC for After Effects. Don’t laugh.

Final Effects was pretty much the original third-party plug-in set available for After Effects.…

PMW-EX1 Update 2

Adam Wilt | 02/27- 09:58 AM

Corrections and details

• Adam Van Voorhis of Boston Camera says that the EX1 does indeed…


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