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Chris & Trish Meyer
Creating Motion Graphics is the blog for award-winning motion graphic designers Chris and Trish Meyer of Crish Design (formerly CyberMotion). Here is where they share not just their latest tips, tricks, and gotchas for the tools they use, but also discoveries that help them run their business, sources that inspire their designs, and musings on the future of the motion graphics industry.
Chris & Trish Meyer founded Crish Design (formerly known as CyberMotion) in the very earliest days of the desktop motion graphics industry. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, HBO, PBS, and TLC; in opening titles for several movies including Cold Mountain and The Talented Mr. Ripley; at trade shows and press events for corporate clients ranging from Apple to Xerox; and in special venues encompassing IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas. They were among the original users of CoSA (now Adobe) After Effects, and have written the numerous books including "Creating Motion Graphics with After Effects" and "After Effects Apprentice" both published by Focal Press.
Both Chris and Trish have backgrounds as musicians, and are currently fascinated with exploring fine art and mixed media in addition to their normal commercial design work. They have recently relocated from Los Angeles to the mountains near Albuquerque and Santa Fe, New Mexico.
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Monday, June 02, 2008
What if the graphics in a music video were driven by the music, instead of a filmmaker?
At last year’s TED (Technology, Entertainment, and Design) conference, Jakob Trollback - director of the highly innovative motion graphics studio Trollback+Company - gave a talk and showed a sample of a different approach to take for music videos. His idea is that the video could and should be an expression of the song, not an expression of a filmmaker’s high concept, or for that matter the low concept of MTV demographics. The video above realizes this vision with the song Moonlight in Glory by David Byrne and Brian Eno from their groundbreaking album My Life in the Bush of Ghosts .
Trollback isn’t the first to take this approach. Imaginary Forces created a legendy piece honoring film soundtracks for the Oscars which also used abstract graphics apparently motivated by the music, while even earlier Digital Kitchen made a great piece for Sony’s digital theatre sound system which was very similar in flavor to the piece above (if anyne can dig up a link to video of either piece, I’ll add it here). But it’s an interesting, thoughtful approach nonetheless.
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Mark Spencer
A Multi-part Motion Tip
Mark Spencer
Motion Graphics and Creative Inspiration
Mark Spencer
AMD Announces the HD 3870
Mark Spencer
Apple Does It Again - But Where Have I Seen This Before?
Mark Spencer
Working With Fixed Resolution
steve martin
Manage Your File Names without Leaving the Browser
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Mark Spencer | 06/24- 11:57 AM
A Multi-part Motion Tip
The OoO? Some sort of secret society? Almost - OoO stands for Order of Operations, and if you’re not familiar how Motion calculates the changes you make to layers and groups, you might not get the results you want. Let’s take a closer look.
Mark Spencer | 06/18- 11:57 AM
Motion Graphics and Creative Inspiration
You are deep in the middle of a complex project, racing to beat a tight deadline, and you’re stuck. Where do you find that creative spark? For me, the last place in the world is in front of a computer. I find that when I’m sitting at the computer, it’s time for perspiration, not inspiration. In other words, if my idea is already at least partially formed, I can get busy executing and problem solving. But coming up with a new approach? Never happens in front of a screen for me.
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