Chris & Trish Meyer
Creating Motion Graphics is the blog for award-winning motion graphic designers Chris and Trish Meyer of Crish Design (formerly CyberMotion). Here is where they share not just their latest tips, tricks, and gotchas for the tools they use, but also discoveries that help them run their business, sources that inspire their designs, and musings on the future of the motion graphics industry.
Chris & Trish Meyer founded Crish Design (formerly known as CyberMotion) in the very earliest days of the desktop motion graphics industry. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, HBO, PBS, and TLC; in opening titles for several movies including Cold Mountain and The Talented Mr. Ripley; at trade shows and press events for corporate clients ranging from Apple to Xerox; and in special venues encompassing IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas. They were among the original users of CoSA (now Adobe) After Effects, and have written the numerous books including "Creating Motion Graphics with After Effects" and "After Effects Apprentice" both published by Focal Press.
Both Chris and Trish have backgrounds as musicians, and are currently fascinated with exploring fine art and mixed media in addition to their normal commercial design work. They have recently relocated from Los Angeles to the mountains near Albuquerque and Santa Fe, New Mexico.
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Friday, September 19, 2008
Golan Levin uses his software skills to create improvised audio-visual performances.
The annual TED (Technology, Entertainment, and Design) conference is a place where Big Thinkers gather annually to inspire and be inspired. I’ve been going through their online archive of talks for my own amusement and education, and sharing with you ones I found to be particularly interesting.
Back in June, I highlighted Jakob Trollback’s talk on Rethinking the Music Video. This time around, I want to highlight a “music video” that’s considerably in the more abstract domain. In this presentation, Golan Levin discusses the custom performance software he writes which allows him to improvise music with accompanying visuals. We’re strictly in the experimental realm here (the soundtrack is 60s-era avant-garde electronic music - listen with your speakers on to annoy your cubemates), but sometimes, great inspiration comes from the very fringes of an art. Note: The visuals are initially very simplistic (the piece is titled “Scribble”), but become much more complex about 4:40 into the video.
Aside from Levin’s TED Talk, I strongly recommend you check out the Flong Interactive Art site (pictured above) which contains a number of interesting audiovisual works by Levin and his friends - there’s lots of cool interactive visual pieces on there.
Sunday, September 07, 2008
Peter Hirshberg gives a history lesson on the parallel development of computers and TV over the past 50 years.
A parallel conference to TED (Technology, Entertainment, and Design) is the EG (Entertainment Gathering) conference, whose goal is “making information entertaining & entertainment informative.” This talk from last year’s EG gives a history lesson on the development of both television and computers, which are of roughly the same age. Although it gets bogged down at times (you could skip ahead from the 5 minute mark to 11 minutes, unless early computers gets your geek up), it does contain numerous interesting nuggets, such as the interview with tweeners where they explain why thing think television is “optional” in their lives, parallels between the tech and messianic movements, how TV was supposed to kill radio, how crayons were used to create a proprietary media platform, Microsoft’s initial pooh-poohing of the information superhighway, and other amusing anecdotes as well as important lessons in the different business models between the web and television.
(While blogging on a web site about media creation, I can’t help but note technically that they failed to removed the interlacing from the video reference materials, and that the audio equalization is fatiguing to listen to. Plus not all technologists understand pacing in entertainment. Fortunately, the medium isn’t the entire message.)
Friday, September 05, 2008
A wonderful website dedicated to commentary on opening title design.
One of our favorite motion graphics design jobs is creating the opening title sequence for movies and television shows (a few of the projects we’ve worked on can be seen here). Title design is a place where typography and animation meet to both convey a story and set a mood.
I’ve recently stumbled across a lovely web site called Art of the Title. Every week, the writers dissect an opening title sequence with still frames and a large (typically 800x336) QuickTime movie of the title, plus the ability for visitors to leave comments and carry on the discussion. It does not contain just recent titles; they will often reach back a few years or even decades to show off a design that particularly resonated with them in either a good or bad way. There is also a well-organized index down the left side of the dozens of titles they reviewed in the past.
By the way, in the next couple of weeks we’ll be adding an article to our CMG Keyframes blog on type resources (including links to numerous type foundries), plus writing an article for Artbeats.com with common typesetting tips and errors - so stay tuned!
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Mark Spencer
Getting Rid of Those Dirty Edges
Mark Spencer
A follow-up video with some more tips
Mark Spencer
Using text animation to drive a message
Mark Spencer
What To Do If Motion Starts To Misbehave
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