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Chris & Trish Meyer
Creating Motion Graphics is the blog for award-winning motion graphic designers Chris and Trish Meyer of Crish Design (formerly CyberMotion). Here is where they share not just their latest tips, tricks, and gotchas for the tools they use, but also discoveries that help them run their business, sources that inspire their designs, and musings on the future of the motion graphics industry.
Chris & Trish Meyer founded Crish Design (formerly known as CyberMotion) in the very earliest days of the desktop motion graphics industry. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, HBO, PBS, and TLC; in opening titles for several movies including Cold Mountain and The Talented Mr. Ripley; at trade shows and press events for corporate clients ranging from Apple to Xerox; and in special venues encompassing IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas. They were among the original users of CoSA (now Adobe) After Effects, and have written the numerous books including "Creating Motion Graphics with After Effects" and "After Effects Apprentice" both published by Focal Press.
Both Chris and Trish have backgrounds as musicians, and are currently fascinated with exploring fine art and mixed media in addition to their normal commercial design work. They have recently relocated from Los Angeles to the mountains near Albuquerque and Santa Fe, New Mexico.
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Tuesday, May 12, 2009
It seems there is a bug in the way Final Cut Pro handles the Overlay composite mode.
Quite often, our job is to take a client’s footage and make it look better. Over the years, we’ve developed a number of techniques to do this; most revolve around placing a second clip on top of the original clip, and compositing it using a blending mode of some kind. Unless this second clip is predominantly white or black, the first mode I usually reach for is Overlay. Below is an example of this general approach:
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Mark Spencer
Housebuilding by Hand with Cinema 4D
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Mark Spencer | 05/11- 12:10 PM
Housebuilding by Hand with Cinema 4D
When I first saw this very nicely done animation by “Beeble” I thought “what a great use of MoGraph - cloners, effectors, splines - incredible”. Then I looked through the comments and found the artist created the entire animation by hand. Even more incredible. It purports to be about the housing crisis, but it’s really just a cool animation of houses assembling and destructing. I love Cinema 4D even though I’m just a hacker at this point - so anyone who can really do something interesting with it inspires me to dig deeper.
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