Chris & Trish Meyer
Creating Motion Graphics is the blog for award-winning motion graphic designers Chris and Trish Meyer of Crish Design (formerly CyberMotion). Here is where they share not just their latest tips, tricks, and gotchas for the tools they use, but also discoveries that help them run their business, sources that inspire their designs, and musings on the future of the motion graphics industry.
Chris & Trish Meyer founded Crish Design (formerly known as CyberMotion) in the very earliest days of the desktop motion graphics industry. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, HBO, PBS, and TLC; in opening titles for several movies including Cold Mountain and The Talented Mr. Ripley; at trade shows and press events for corporate clients ranging from Apple to Xerox; and in special venues encompassing IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas. They were among the original users of CoSA (now Adobe) After Effects, and have written the numerous books including "Creating Motion Graphics with After Effects" and "After Effects Apprentice" both published by Focal Press.
Both Chris and Trish have backgrounds as musicians, and are currently fascinated with exploring fine art and mixed media in addition to their normal commercial design work. They have recently relocated from Los Angeles to the mountains near Albuquerque and Santa Fe, New Mexico.
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Friday, February 26, 2010
Cinema 4D’s MoGraph Unleashed
Last summer I wrote an lengthy review of the Motionworks’ Making It Look Great 6 training series, where Tim Clapham did a great job covering the integration of Cinema 4D and After Effects. I mentioned my wish for Tim to do a full series on using Cinema’s MoGraph module, and little did I know that such a series was already in the works. Not wanting to wait, I offered to proof it as it was being developed (crafty, huh!), and now it’s arrived in a store near you as Making It Look Great 7.
MILG7 consists of six projects produced using a wide variety of MoGraph objects and effectors. Not only will you learn tons of MoGraph techniques as you create some fun animations, but sprinkled throughout are a great many solid Cinema working practices that will serve you well in any project.
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Monday, February 08, 2010
Yet another HD-video-capable DSLR from Canon. With more of the frame rates you want.
The intertubes are buzzing this week with the announcement of the Canon Rebel T2i (also known as the EOS 550D in Europe).
In short, it has an APS-C format sensor that is similar to the Canon 7D (which means it’s roughly the size of a motion picture film frame, for “filmic” depth of field), accepts EF and EF-S lenses, and shoots video at a pleasing variety of frame rates and sizes with “full manual control”:
- 1920 x 1080 (Full HD): 30p (29.97) / 24p (23.976) / 25p
- 1280 x 720: 60p (59.94) / 50p
- 640 x 480 (SD): 60p (59.94) / 50p)
The good folks at Digital Photography Review already have online a still-image-focused 13-page preview based on a pre-production unit (if you’re seeing only 1 page, use the popup at the top or the Actions > Previous/Next buttons at the bottom to navigate).
Price? $800 without lens ; $900 with .
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Thursday, February 04, 2010
A chance to get inside Adobe’s head.
Last week, Adobe invited a variety of well-known people in the industry to come get a closer look at what they’ve been working on, and to provide feedback on their direction. To Adobe’s credit, this was no “preaching to the choir” session; many of those invited were FCP and Avid editors, and several current users gave Adobe personnel an earful both publicly and privately. It was also made clear to us that no specific product versions or release dates were being discussed, and that we couldn’t repeat anything that had not already been mentioned publicly (reminds us of the old Zen Buddhist saying “Those who know don’t say; those who say don’t know”). However, this event gives us an excuse to aggregate into one place a number of emerging technologies Adobe has already murmured about, for those who haven’t had the chance to keep up…
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Mark Spencer
And how to find some shy keyframes that prefer to stay hidden
Mark Spencer
How to get motion blur to appear in embedded Motion projects
Mark Spencer
How to get your Motion project to have transparency in Final Cut Pro
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