Chris & Trish Meyer
Creating Motion Graphics is the blog for award-winning motion graphic designers Chris and Trish Meyer of Crish Design (formerly CyberMotion). Here is where they share not just their latest tips, tricks, and gotchas for the tools they use, but also discoveries that help them run their business, sources that inspire their designs, and musings on the future of the motion graphics industry.
Chris & Trish Meyer founded Crish Design (formerly known as CyberMotion) in the very earliest days of the desktop motion graphics industry. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, HBO, PBS, and TLC; in opening titles for several movies including Cold Mountain and The Talented Mr. Ripley; at trade shows and press events for corporate clients ranging from Apple to Xerox; and in special venues encompassing IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas. They were among the original users of CoSA (now Adobe) After Effects, and have written the numerous books including "Creating Motion Graphics with After Effects" and "After Effects Apprentice" both published by Focal Press.
Both Chris and Trish have backgrounds as musicians, and are currently fascinated with exploring fine art and mixed media in addition to their normal commercial design work. They have recently relocated from Los Angeles to the mountains near Albuquerque and Santa Fe, New Mexico.
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Monday, January 17, 2011
Parsing the results of the latest survey of who makes how much in our field.
The unofficial, web-based Motion Graphics Design Census for 2010 is now available from their web site. It compiles over 5500 responses - distributed roughly evenly between the US and non-US - into a series of responses about age, software, and - primarily - income. Of course, it’s only a survey of those who responded rather than the industry as a whole. Also, not everyone responded to every question - for example, only 219 self-employed artists offered how much they charged per hour, and most of the charts are based just on US respondents. With those caveats, here’s what stuck out for us:
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Thursday, December 30, 2010
The head of Google’s “video monetization initiatives” details how he has seen the nature of video content change in recent years.
If you’re interested in the business of video beyond just shooting and editing it, you might enjoy reading Shishir Mehrotra of Google’s recent article over on ClickZ. He notes “In my position at YouTube, I’ve observed this market over the last few years, and have taken note of the ways in which it is fundamentally changing.” His four main macro-changes are:
- Hyper-Fragmentation
- Great Content Can Come From Anywhere
- Advertisers Can Create Content That Users Love
- There Is No Online Video, Just Video
For many of you, the first two may fit into the “well, DUH” category; Shishir even notes the first one is “not a new story.” The last one is something we’ve been personally preaching for years: The sooner you blur the lines between broadcast and web video from the production side, the better, because the viewer already expects them to be of the same quality - just as they expected “local market” or cable TV to look as good as the major networks. That third one may come as a bit of a surprise to the cynical, but anyone who has seen videos like the Evian Roller Babies (and not to mention, its view counter) realize it’s becoming true. Regardless, it’s a good read, as well as something to pass onto your clients.
Thursday, December 24, 2009
Rumors of an Apple tablet device are getting too loud to ignore. What do they mean for us?
As a long-time Apple user (and - full disclosure - Apple stockholder), I’ve learned long ago to take Apple rumors with a grain of salt. However, combine patents (some going back to 2005), leaks from developers, and the rental of a big hall for a special event in late January, and you start to feel something might actually happen - although it’s certainly not a lock. Personally, I’m thrilled with the speculation that the rumored “iPad” iSlate iPad will be more about media than computing.
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Jeff Foster
Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5
Allan Tépper
A contracted article, sponsored by Datavideo Corporation.
Matt Jeppsen
Getting watery trick shots with this DSLR housing
Mark Spencer
Setting Up a Rig in Motion 5 on MacBreak Studio
Mark Spencer
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Rich Young
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New Cage Fits New Camera Like A Glove
Scott Simmons
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Scott Simmons
The ease of setup and managing multicam clips makes this the best FCPX update yet
Mark Spencer
Multicamera Editing in Final Cut Pro X
David Torno
Create numerical readouts for use in HUD style graphics.
Terence Curren
The best event for keeping up to speed in the post production world.
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