by Chris & Trish Meyer
Wednesday, April 09, 2008
We’re Off To See The Wizard
Chris Meyer | 04/09- 10:22 PM
NAB always brings the promise of finding that secret ingredient we need to make us better at what we do.
It’s been awfully quiet around here lately...too quiet. But you know why: It’s the week before NAB (the National Association of Broadcasters) Convention, the largest annual industry trade show for those of us in North America), and we’re all hunkered down either a) finishing projects before NAB, b) getting our presentations ready for NAB, c) making out our shopping lists for NAB, or d) all of the above.
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Monday, March 24, 2008
Seeing RED
Chris Meyer | 03/24- 10:57 AM
You wanted digital film? You got it. Oh, by the way - do you know how to work with film?
All of the recent posts about workflows, workarounds, and discoveries using the RED One camera brings back memories of a warning I issued when DV cameras first became popular among independent shooters and moviemakers: Be careful what you wish for; you might get more than you expected.
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Monday, February 25, 2008
Dynamic Range and the RED One
Chris Meyer | 02/25- 02:17 PM
Stu Maschwitz ponders what would be a good digital cinema workflow with the RED One camera.
Stu Maschwitz (he of The Orphanage, Magic Bullet, and The DV Rebel’s Guide
fame), is one of my go-to resources when I want greater insight on digital film production workflow and its corresponding correct practices.
He recently wrote an excellent article on his ProLost blog about Digital Cinema Dynamic Range, in the context of learning how to use a RED One camera in way that would give him the same latitude of exposure control that we would expect when working with film (or other digital cameras).
Click here for the short version
Click here for the long version (and you really should read the long version – it’s very instructive)
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