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Creating Motion Graphics

by Chris & Trish Meyer

Wednesday, April 09, 2008

We’re Off To See The Wizard

Chris Meyer | 04/09- 10:22 PM

NAB always brings the promise of finding that secret ingredient we need to make us better at what we do.

It’s been awfully quiet around here lately...too quiet. But you know why: It’s the week before NAB (the National Association of Broadcasters) Convention, the largest annual industry trade show for those of us in North America), and we’re all hunkered down either a) finishing projects before NAB, b) getting our presentations ready for NAB, c) making out our shopping lists for NAB, or d) all of the above.

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Monday, March 24, 2008

Seeing RED

Chris Meyer | 03/24- 10:57 AM

You wanted digital film? You got it. Oh, by the way - do you know how to work with film?

All of the recent posts about workflows, workarounds, and discoveries using the RED One camera brings back memories of a warning I issued when DV cameras first became popular among independent shooters and moviemakers: Be careful what you wish for; you might get more than you expected.

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Monday, February 25, 2008

Dynamic Range and the RED One

Chris Meyer | 02/25- 02:17 PM

Stu Maschwitz ponders what would be a good digital cinema workflow with the RED One camera.

Stu Maschwitz (he of The Orphanage, Magic Bullet, and The DV Rebel’s Guide fame), is one of my go-to resources when I want greater insight on digital film production workflow and its corresponding correct practices.

He recently wrote an excellent article on his ProLost blog about Digital Cinema Dynamic Range, in the context of learning how to use a RED One camera in way that would give him the same latitude of exposure control that we would expect when working with film (or other digital cameras).

Click here for the short version
Click here for the long version (and you really should read the long version – it’s very instructive)

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Creating Motion Graphics
by Chris & Trish Meyer

Chris & Trish MeyerChris & Trish Meyer are the founders of CyberMotion, an award-winning Los Angeles motion graphic design studio. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, The Learning Channel, HBO, and PBS. CyberMotion was one of the first studios to create major release film opening titles using desktop tools (including major films such as The Taleneted Mr. Ripley), and they have also created promotional and trade show videos for corporate clients from Apple Computer to Xerox. They specialize in unusual format videos, having animated for IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas.

In addition to their motion graphics work, Trish and Chris have written the books "Creating Motion Graphics with After Effects" and "After Effects Apprentice" (both published by Focal Press). They have written numerous articles on motion graphics for DV magazine, Artbeats.com, and others, and have spoken at AFI, MacWorld, BDA, NAB, and other conferences.

Trish founded CyberMotion after an extensive career in print as a magazine art director for music technology magazines. Her partner Chris, a refugee from the music industry, specializes in sound design and 3D work as well as dealing with multi-format technical issues. Both Trish and Chris have backgrounds as musicians, and a close relationship between sound and picture informs much of their work. They were one of the original beta sites for CoSA (now Adobe) After Effects, and continue to work with that team as well as others to this day.