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Chris & Trish Meyer
Chris & Trish Meyer are the founders of CyberMotion, an award-winning Los Angeles motion graphic design studio. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, The Learning Channel, HBO, and PBS. CyberMotion was one of the first studios to create major release film opening titles using desktop tools (including major films such as The Taleneted Mr. Ripley), and they have also created promotional and trade show videos for corporate clients from Apple Computer to Xerox. They specialize in unusual format videos, having animated for IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas. In addition to their motion graphics work, Trish and Chris have written the books "Creating Motion Graphics with After Effects" and "After Effects Apprentice" (both published by Focal Press). They have written numerous articles on motion graphics for DV magazine, Artbeats.com, and others, and have spoken at AFI, MacWorld, BDA, NAB, and other conferences. Trish founded CyberMotion after an extensive career in print as a magazine art director for music technology magazines. Her partner Chris, a refugee from the music industry, specializes in sound design and 3D work as well as dealing with multi-format technical issues. Both Trish and Chris have backgrounds as musicians, and a close relationship between sound and picture informs much of their work. They were one of the original beta sites for CoSA (now Adobe) After Effects, and continue to work with that team as well as others to this day. 
April 2012December 2011October 2011September 2011August 2011July 2011May 2011April 2011March 2011February 2011January 2011December 2010November 2010October 2010September 2010June 2010April 2010February 2010January 2010December 2009November 2009October 2009September 2009August 2009July 2009June 2009May 2009April 2009March 2009January 2009December 2008November 2008October 2008September 2008August 2008July 2008June 2008May 2008April 2008March 2008February 2008January 2008July 1999Complete ArchivesCategory Archives
Our Sessions at Post|Production World 2012After Effects Apprentice: The Final ProjectMade with After EffectsAdobe MAX 2011 Technology Sneak PeeksCoke Classic: Final Cut Studio is BackNVIDIA OptixAfter Effects Apprentice: ExpressionsAfter Effects Apprentice: ParentingUsing Audition with After EffectsAfter Effects Apprentice: Type and MusicStereoscopic 3D in After Effects CS5.5Updated: Adobe Warp Stabilizer (P)ReviewAfter Effects Apprentice: Creating TransparencyIn Appreciation Of The Lowly WipeExpert Tips on Final Cut ProAmerican EditorFree Plug-ins for After Effects, FCE, FCP, and FCS (including Motion)Smith & Nephew VERILAST CommercialArt of the Title: Quantum of Solace2+ Hours of Free Video Training on Shatter“Why 3D Doesn’t Work and Never Will”Your Daily After Effects Fix2010 Motion Graphics Design CensusClassic Visual Effects KnowledgeBG Renderer 2.0 |
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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar EclipseQ: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here… I love stacking cucolorii… David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projectionAustralian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects. In December… After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition...plus an update on what’s next for the Apprentice series. |
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