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Chris & Trish Meyer
Creating Motion Graphics is the blog for award-winning motion graphic designers Chris and Trish Meyer of Crish Design (formerly CyberMotion). Here is where they share not just their latest tips, tricks, and gotchas for the tools they use, but also discoveries that help them run their business, sources that inspire their designs, and musings on the future of the motion graphics industry. Chris & Trish Meyer founded Crish Design (formerly known as CyberMotion) in the very earliest days of the desktop motion graphics industry. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, HBO, PBS, and TLC; in opening titles for several movies including Cold Mountain and The Talented Mr. Ripley; at trade shows and press events for corporate clients ranging from Apple to Xerox; and in special venues encompassing IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas. They were among the original users of CoSA (now Adobe) After Effects, and have written the numerous books including "Creating Motion Graphics with After Effects" and "After Effects Apprentice" both published by Focal Press. Both Chris and Trish have backgrounds as musicians, and are currently fascinated with exploring fine art and mixed media in addition to their normal commercial design work. They have recently relocated from Los Angeles to the mountains near Albuquerque and Santa Fe, New Mexico. CMG KeyframesAfter Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 CompositionAfter Effects Apprentice Free Video: Using Parenting to Animate Layers as a UnitAfter Effects Apprentice Free Video: Working with Nested 3D CompositionsAfter Effects Apprentice Free Video: Copying Paths from Illustrator to After EffectsAfter Effects CS6 Tutorial: Exporting 3D Camera Tracker Data to Cinema 4DAfter Effects CS6 Tutorial: Targeting Properties in the new Ray-Traced 3D EngineAfter Effects CS6 (P)ReviewAfter Effects Apprentice Free Video: Exploring Shape EffectsAfter Effects Apprentice Free Video: Drawing Parametric ShapesAfter Effects Apprentice Free Video: The Puppet Starch Tool
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Compression Artifacts & PulldownA question about a ghost leads to discourses on 3:2 pulldown and the QuickTime codec dialog.
This started as a quick post about how to gain finer control over the compression settings in the QuickTime dialog. But before we can get there, we first need to talk talk about how 3:2 pulldown works. (Trust me; it all ties together; it was also a good little mystery.) I recently gave a training session at a local studio, and at the end they were invited to trot out their Barney Stumpers (questions about why something went wrong, how something works, etc.). For one stumper, a user had some footage with 3:2 pulldown, and after pulldown was removed, he noticed that an after-image of the previous frame appeared in the next frame after an edit. Why? more »Page 1 of 1 pages Advertisement |
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