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Monday, February 08, 2010

Filed under: Cameras

Canon Rebel T2i / EOS 550D

Chris Meyer | 02/08

Yet another HD-video-capable DSLR from Canon. With more of the frame rates you want.

The intertubes are buzzing this week with the announcement of the Canon Rebel T2i (also known as the EOS 550D in Europe).

In short, it has an APS-C format sensor that is similar to the Canon 7D (which means it’s roughly the size of a motion picture film frame, for “filmic” depth of field), accepts EF and EF-S lenses, and shoots video at a pleasing variety of frame rates and sizes with “full manual control”:

  • 1920 x 1080 (Full HD): 30p (29.97) / 24p (23.976) / 25p
  • 1280 x 720: 60p (59.94) / 50p
  • 640 x 480 (SD): 60p (59.94) / 50p)

The good folks at Digital Photography Review already have online a still-image-focused 13-page preview based on a pre-production unit (if you’re seeing only 1 page, use the popup at the top or the Actions > Previous/Next buttons at the bottom to navigate).

Price? $800 without lens; $900 with.

 

Of course, some of us early adopters of the 5D mk2 are gritting our teeth, especially as we wait for the promised 24/25fps software update (but at least we have our cameras already, and it has an even larger sensor for better low-light sensitivity and an exaggerated depth of field). Experience will tell if the T2i still suffers from aliasing under some circumstances, or if it can be hacked for 4:4:4 output like the 7D (it has HDMI…). It seems to be still hobbled by the file system on its memory card which limits 1080p clips to about 12 minutes, and it’s still saving video to H.264 format (which means you would really rather light it right when you shoot, rather than try to recover the impossible in post - although Stu Maschwitz’s tips about shooting flat probably still apply). However, Matt Jeppsen would say we complain too much - it seems to be a helluva camera for a helluva price. Go make some art with it!

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Gear In 60 Seconds – Nauticam NA-60D

Matt Jeppsen | 02/09

Getting watery trick shots with this DSLR housing

image

Here’s another FreshDV Gear in 60 Seconds video, on the Nauticam NA-60D housing for…

Redrock Micro’s ultraCage for the C300

Clint Milby | 02/07

New Cage Fits New Camera Like A Glove

image

At the 11th Annual San Francisco SuperMeet, I was able to actually lay hands on the

DP Alex Buono Talks C300 At SF SuperMeet

Clint Milby | 01/31

SNL Veteran, Talks About Using the C300 For Network Television…

image

Recently I attended the 11th annual San Francisco Supermeet. Beyond some great lectures by some great speakers, there were a variety of different hardware manufacturers and software companies to…

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I just wish they’d make an HD camcorder with true depth of field for an affordable price and stop messing around with all these hybrids that have the form factor of a still camera. There is obviously a huge demand for such a product. Image a camcorder with the capabilities of the Red One, Viper, or Genisis for under say five grand! I’m not dissing the cameras mentioned above, but it seems they’re made the way they are so that you need to spend more money buying all kinds of add ons to make shooting practical. They maybe okay for short video projects without a lot of camera movement, but I’d hate to have to film a full length feature on one.

Posted by .(JavaScript must be enabled to view this email address)  on  02/09  at  10:10 AM


It’s almost funny to step back and look at the progression: The 5D mkII was originally given HD video (at just 30 fps) based on requests from AP photographers and the like, who also wanted to use the same camera and lenses they were familiar with to quickly shoot short video snippets which were also in demand for new stories (often for the web).

But others saw the power of this, and started buying loads of these cameras to make films etc., warts and all.

Canon sees the demand for their DSLR that shoots HD video, and says “we have a winner - make more like these!” Perhaps without sitting back and asking “so, what do you _really_ want?” Because, after all, trying to divine what users _really_ want is risky…while in the meantime, they have a proven winner in DSLRs that shoot HD video.

(At this point, I could point out that the ability to take those risks is what has made Apple’s iPhone successful: They didn’t try to make an even better cell phone; they asked what users wanted to do with a mobile device. But if I did, I would be accused of being an Apple fanboy, or even worse - after all, I’m a shareholder (but at least I’m willing to disclose that). So instead, we’ll just leave it at me speculating that Canon may just be choosing a safe business plan over a risky one.)

Remember that DV was originally supposed to be a consumer device - a replacement for Hi8. Heck, even U-matic was originally supposed to be a consumer format! But as the Cyberpunk Ethos states, “the street finds its own uses for things…”

- Chris

Posted by Chris Meyer  on  02/09  at  11:37 AM


One of my co-workers recently purchased this camera and it is amazing. He is very satisfied with it and shoots everything with it. Actually, I have never seen him without it. He’s slowly getting use to all of the features because he is just a recently started getting into cameras (about 2 years now). It was a large purchase for him, but he is completely satisfied and recommends it to anyone. Thanks for the reading material.

Posted by Ryan  on  01/05  at  06:24 AM


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Gear In 60 Seconds – Nauticam NA-60D

Matt Jeppsen | 02/09

Getting watery trick shots with this DSLR housing

image

Here’s another FreshDV Gear in 60 Seconds video, on the Nauticam NA-60D housing for…

Redrock Micro’s ultraCage for the C300

Clint Milby | 02/07

New Cage Fits New Camera Like A Glove

image

At the 11th Annual San Francisco SuperMeet, I was able to actually lay hands on the

DP Alex Buono Talks C300 At SF SuperMeet

Clint Milby | 01/31

SNL Veteran, Talks About Using the C300 For Network Television…

image

Recently I attended the 11th annual San Francisco Supermeet. Beyond some great lectures by some great speakers, there were a variety of different hardware manufacturers and software companies to…

Book Review: “The DSLR Filmmaker’s Handbook: Real-World Production Techniques”

Jeff Foster | 01/22

By Barry Andersson and Janie L. Geyen

There’s little more popular these days than being a budding Indie filmmaker slinging a 5D MkII over your shoulder and firing off hours of footage that you can then spend months editing to make your masterpiece come alive! The biggest problem is that MOST folks entering this endeavor are totally…

To be considered for listing, contact pr (at) provideocoalition (dot) com


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