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(Page 1 of 1 pages for this article ) Monday, February 25, 2008Dynamic Range and the RED OneStu Maschwitz ponders what would be a good digital cinema workflow with the RED One camera.
Stu Maschwitz (he of The Orphanage, Magic Bullet, and The DV Rebel’s Guide He recently wrote an excellent article on his ProLost blog about Digital Cinema Dynamic Range, in the context of learning how to use a RED One camera in way that would give him the same latitude of exposure control that we would expect when working with film (or other digital cameras).
Click here for the short version
Cameras • Lighting • Post Production • Production • (Page 1 of 1 pages for this article ) 
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3DAudioBudgetingBusinessCamerasDistributionEditingHardwareInteractiveLightingMotion GraphicsNAB '08Post ProductionProductionPre-ProductionProductionTrainingVisual Effects
Welcome to Creating Motion GraphicsTED Talk: How creativity is being strangled by the lawAfter Effects CS4 Will Be Intel-OnlyXScriptorium: New AE Script/Expression ResourceTED Talk: Where does creativity hide?Spotlight: Promos for FOX’s “Fringe”Spotlight: Nordisk Panorama Filmfestival 2008Adobe will support REDMobile Animation for ComicsFocus On DesignLeaving Los AngelesTwo Pieces of Eye CandyMainstream Media’s new correspondent: YouTubeAFI Digital Content Lab SessionsAt Last - Someone Who Gets Web AdvertisingAdvertisements |
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fame), is one of my go-to resources when I want greater insight on digital film production workflow and its corresponding correct practices.
