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Chris & Trish Meyer

Chris & Trish Meyer are the founders of CyberMotion, an award-winning Los Angeles motion graphic design studio. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, The Learning Channel, HBO, and PBS. CyberMotion was one of the first studios to create major release film opening titles using desktop tools (including major films such as The Taleneted Mr. Ripley), and they have also created promotional and trade show videos for corporate clients from Apple Computer to Xerox. They specialize in unusual format videos, having animated for IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas.

In addition to their motion graphics work, Trish and Chris have written the books "Creating Motion Graphics with After Effects" and "After Effects Apprentice" (both published by Focal Press). They have written numerous articles on motion graphics for DV magazine, Artbeats.com, and others, and have spoken at AFI, MacWorld, BDA, NAB, and other conferences.

Trish founded CyberMotion after an extensive career in print as a magazine art director for music technology magazines. Her partner Chris, a refugee from the music industry, specializes in sound design and 3D work as well as dealing with multi-format technical issues. Both Trish and Chris have backgrounds as musicians, and a close relationship between sound and picture informs much of their work. They were one of the original beta sites for CoSA (now Adobe) After Effects, and continue to work with that team as well as others to this day.
Friday, June 27, 2008

Two Pieces of Eye Candy

They’re not videos; they’re art.

Links to a pair of lovely (for lack of a better term) “music videos” crossed my desk this week that I thought would be nice to share as you go into your weekend.

If you’re looking for something invigorating, then first view Tyger by Guilherme Marcondes. It contains a brilliant combination of physical animation (the tiger itself) along with 3D, a flat cartoon look, and glowing graphical elements. I had to view it twice: the first time, I was delighting in the sheer craft involved; the second time I got the story. I thought it was a particularly bold move to include the puppet handlers in the action, as it further broke down the walls of expectation; Trish would have liked to have seen a 3D tiger so that the surprise of seeing the handlers wouldn’t take away from enjoying the story. Guilherme has previously created videos for MTV, Microsoft, Nickelodeon, Cartoon Network and Animal Planet; click here to read an interview with him by Computer Arts magazine.

To calm down after the excitement of watching a tiger stalk a city, you might want to next view the soothing abstract video drift by Richard Lainhart. Some of you may know Richard for the period he and Brian Maffitt (of Total Training) hosted the New York After Effects user group, but he is equally well known in the electronic music universe. This movie combines Richard’s After Effects skills with a soundtrack improvised on a lap steel guitar, processed the Kyma sound design workstation.

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Two Pieces of Eye Candy

Chris Meyer | 06/27- 08:50 AM

They’re not videos; they’re art.

Links to a pair of lovely (for lack of a better term) “music videos” crossed my desk this week that I thought would…

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