» Exclusive 2012 Fletcher Camera Comparison Chart Now Available to PVC readers

An Easy Way to Compare Specifications for all the Major Brands

» Hasselblad Launches State-of-the-art Online Video Platform

Hasselblad tv is an exclusive new multi-language online video platform that will ‘target and engage’ the company’s global audience of professional and aspirational photographers.

» Oscar-Nominated Jeff Cronenweth, ASC Set for Conversation at Createasphere’s ETE

Talented Cinematographer to Discuss Creativity, Story and Back-to-Back Oscar Noms

» Blackmagic Design Releases Support For Final Cut Pro X 10.0.3 Broadcast Monitoring

Broadcast monitoring in Final Cut Pro 10.0.3 allows video output to external monitors and other equipment

» Livestream Integrates with NewTek TriCaster™

New Livestream plugin makes it fast and easy to deliver multi-camera, HD live content to mobile devices, including iPhone® and iPad®

» Westcott receives two Hot One Awards

Westcott’s Spiderlite® TD6 and Parabolic Umbrella receive a 2012 Hot One Award

» Harrison Ford to be Feted by American Society of Cinematographers

His diverse body of work features an incredible collection of motion pictures

» JVC Unveils ProHD Portable Monitor Series

Can display 480i, 480p, 720p, 1080i, and 1080p video signals at a variety of frame rates

The Editblog on PVC

by Scott Simmons
» Update Alert: Final Cut Pro X goes to 10.0.3
» Adobe teases Prelude at the San Francisco Supermeet, FCPUG changes its name

Camera Log

by Adam Wilt
» Quick Look: Sony F65 4K Digital Cine Camera
» Review: Panasonic AG-AC160 and AG-HPX250 1/3” 3-MOS camcorders

Stunning Good Looks

by Art Adams
» LIGHTING STRATEGIES: Rough Guide to Illuminating a Bounce Card
» LIGHTING STRATEGIES: Exploiting a Single Light Source

FRESHDV

by Matthew Jeppsen & Kendal Miller
» 4K > 1080P?
» Daily Inspiration - Fleet Foxes Montezuma

AE Portal

by Rich Young
» Last week in After Effects
» Recently in After Effects

CMG Keyframes

by Chris & Trish Meyer
» After Effects Apprentice Free Video: Exploring Shape Effects
» After Effects Apprentice Free Video: Drawing Parametric Shapes

Creating Motion Graphics

by Chris & Trish Meyer
» Made with After Effects
» Adobe MAX 2011 Technology Sneak Peeks

Production Values

by Mark Christiansen
» Adobe Media Encoder - another hidden gem?
» After Effects Script of the Week: Add Parented Null to Each Selected Layer

Final Cut Pro & Motion

by Mark Spencer
» Audio Editing in FCP X
» Emitters and Image Sequences

TecnoTur

by Allan Tépper
» Avid now lets you edit video on your iPad for US$4.99. Should you?
» AJA’s Io XT w/ Thunderbolt is now available, but it is not Riker: What’s the cover-up?

HDSLR Shooter

by Clint Milby
» Marshall Debuts the Orchid, OR-2410
» DP Alex Buono Talks C300 At SF SuperMeet

Bruce's Blog

by Bruce Johnson
» Want To Fly In First Class On Your Next Gig?  Here’s How!
» REVIEW:  Fast Forward Video Sidekick HD Recorder/Monitor

CUT.N.COLOR

by Steve Hullfish
» “Courageous” Part Two: on-line
» The Editing of “Courageous” Part One

A Working Filmmaker

by Eric Escobar
» The Indie Economics of SLOG and the Sony PMW-F3.  Is it worth it?
» The Cinematic Soul of the ARRI Alexa and How It Will End Test Videos on Vimeo

HD for Indies

by Mike Curtis
» Red (finally) takes the wraps off new camera - Scarlet-X
» Canon’s new EOS C300 digital cinema line - competition for Red or Sony?

Motion Graphics & Visual Effects

by PVC Contributors
» Expression Shorts - Random Words Cycle
» Expression Shorts - Auto Fade Layer

Editing & Post

by PVC Contributors
» 3D Layers Overview with Photoshop CS4-CS5.5
» Is There A Future For Editors

Lights Camera Action

by PVC Contributors
» Stereo 3D Video Production with GoPro
» Basic Lighting Setups for Green Screen

Livewire

by Sony
» NXCAM® Firmware Upgrades

Adobe on Adobe

by Adobe
» How technology is influencing storytelling and filmmaking

Finish Faster

by Autodesk
» Revisiting the RED workflow, Smoke 2012 style

Datavideo

by Datavideo
» The Datavideo SE-2000 Kit for Large Outside Venues

Videoguys

by Videoguys
» Videoguys’ Top 10 Products of 2011

Createasphere

by Createasphere
» A Video Interview with Rodney Taylor, ASC

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Update Alert: Final Cut Pro X goes to 10.0.3

Scott Simmons | 01/31

A big update adds multicam, manual relinking, broadcast monitoring and the ability to move a project over from FCP7

Is it early 2012? It is and Apple has kept its promise with an update that takes Final Cut Pro X to 10.0.3. The promised features are there as well including what looks like an interesting and well thought-out multicam implementation. Broadcast monitoring is there too but it’s labeled as a beta implementation though if the drivers are there it should work. And they said it couldn’t be done but it has been: there’s now a way to easily move a Final Cut Pro 7 project to Final Cut Pro X that’s made possible by an updated XML and a 3rd party software product.

more »

(1) Comments: • Most recent comments by: Christopher Kemp,

Last week in After Effects

Rich Young | 01/30

News on tutorials, scripts, plug-ins, demos, and more.

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Here’s another summary of the last week or so of news on After Effects—with assorted tutorials, scripts, plug-ins, demos, and more. Please note that these roundups are for quick review and comparison, and that there is almost always vital information from the originating authors at the links provided—and often free presets, projects, or stock footage too.

more »

Evan Schechtman’s Digital ‘Smoke’ House

Clint Milby | 01/31

Digital Trailblazer Tells Post Professionals, “It’s time to up your game…”

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With a mind of a genius and the spirit of a rebel, Evan Schechtman is one of the most accomplished post professionals in the business. Through his thirst for knowledge and contempt for establishment, Schechtman has transcended his career from owning his own post facility to becoming one of the most sought after minds in the industry. I was able to catch up with Schechtman recently who talked about how he started Outpost Digital , his partnership with Radical Media and why Autodesk’s Smoke is the answer to the question, “What’s next?

more »

(2) Comments: • Most recent comments by: DaveJ, gregorygee,


Sponsored Article by ARRI

Quick Look: Sony F65 4K Digital Cine Camera

Adam Wilt | 01/28

BandPro’s Jeff Cree shows off the F65 at Videofax in San Francisco.

Last week, San Francisco rental house extraordinaire Videofax took delivery of Sony F65 #15, and on Thursday BandPro’s Jeff Cree came up to show off the camera to local DPs, ACs, and DITs. I was able to shoot some photos and take some notes, which I have pulled together and annotated, in a somewhat scattershot manner, for your viewing pleasure.  [Update 2012.01.29: typo & terminology fixes]

more »

(4) Comments: • Most recent comments by: Adam Wilt, Allan, Adam Wilt, Bruce Allen,

Stereo 3D Video Production with GoPro

Jeff Foster | 01/29

Using the GoPro HD Hero2 and the 3D Hero System with CineForm Software

Whether you love it or hate it, 3D Stereography is here for awhile. And if you’re totally into it like I am, you quickly realize that there are few turnkey workflows out there to capture and process 3D Stereo video that’s easy to setup, shoot and edit Stereo pairs. Sure, there are a lot of high-end (expensive to rent) systems for two cameras to shoot, software to sync/mux the footage and rigs you can build to edit it, but GoPro has brought it together with a fun and easy-to-use system that anyone can use.

more »

(4) Comments: • Most recent comments by: Jeff Foster, SparkxFx, Jeff Foster, Jim Nicholls,


Sponsored Article by Adobe

Pegasus Thunderbolt RAID5 from PROMISE

Allan Tépper | 01/31

The high-performance video RAID5 you need for today’s modern Mac-based video editing systems

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As many ProVideo Coalition readers may recall, I have written about disk arrays from PROMISE before, although the last time it was primarily to be used with a computer with an eSATA port. Now that all Mac computers (except for the MacPro tower) use a Thunderbolt port, many are looking for a disk array which will have the appropriate connection and that will be at least as fast as what they got previously with eSATA. In this article, you’ll find my results with the Pegasus from PROMISE, used both with a Mac Mini and a MacBook Air. You’ll also find PROMISE’s official position on journaling or non-journaling with this device, since this was not previously documented… more »

AJA’s Io XT w/ Thunderbolt is now available, but it is not Riker: What’s the cover-up?

Allan Tépper | 01/31

Why are William Riker and Leo Laporte involved in a Pegasus cover-up?

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AJA is now shipping its US$1495 Io XT, AJA’s first Thunderbolt device which I covered in detail when it was first announced in September 2011. Some of you have asked me whether the Io XT is the same as the prototype code-named “Riker” product that AJA showed at NAB back in April 2011. The answer is no. This article will explain why the Io XT is not Riker, review the currently-available Thunderbolt audio/video i/o devices I’ve covered so far (including the Pegasus Thunderbolt RAID), and clarify William Riker’s involvement in the Pegasus cover-up, as well as that of Leo Laporte, who recently declared Thunderbolt to be “D.O.A.” and “too late”… more »


Sponsored Article by Createasphere

LIGHTING STRATEGIES: Rough Guide to Illuminating a Bounce Card

Art Adams | 01/29

Lighting a bounce card is easy, right? Right… IF you know the basics. Here they are.

Is bounce light really just about aiming a light at a white card and walking away? No. There are a couple of tricks to getting the most out of your bounce source, and I can show them to you fairly quickly using a 4’x4’ bounce card as an example.

more »

LIGHTING STRATEGIES: Exploiting a Single Light Source

Art Adams | 01/28

Sometimes all it takes to make a beautiful picture is placing one light—as long as it’s the proper light source. This still photo shows an example of one style of soft lighting that’s been in use for centuries, and for good reason: it works.

There are few things more elegant than lighting a shot with a single light source. It doesn’t always work, but when it does—it’s magical.

more »


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How technology is influencing storytelling and filmmaking

Michelle Gallina | 01/27

Watch the discussion unfold from award-winning panelists

Academy-award winning VFX Supervisor Rob Legato (Hugo, Titanic), and filmmakers/directors Vincent Laforet (Revelry, Mobius), and Jacob Rosenberg (Act of Valor, Waiting for Lightning) discuss the changing world of filmmaking. Moderated by Sharlto Copley (District 9), panelists dive into a discussion on the digital advances in filmmaking technology and innovative techniques to create engaging, thought-provoking work on any budget.

more »

Adobe teases Prelude at the San Francisco Supermeet, FCPUG changes its name

Scott Simmons | 01/28

The Adobe sneak looks intriguing. Makes me excited for CS6.

From the looks of Twitter last night there were a couple of surprises at the Friday evening’s San Francisco Supermeet. First bit of news I saw was that Final Cut Pro User Group (FCPUG) has decided to drop the Final Cut Pro designation from their name to become the Creative Pro User Group. Second was a sneak peek from Adobe about a new application called Prelude.

more »

After Effects Apprentice Free Video: Exploring Shape Effects

Chris and Trish Meyer | 01/31

An overview of five of the simpler shape operators that can turn your basic outline into something quite twisted.

As we mentioned awhile back, we’ve been busy the past year and a half creating an extensive, multi-course video training series based on our popular beginner’s book After Effects Apprentice. Each course has two or more movies that are free for all to view; we’re re-posting those videos here on PVC to make sure you don’t miss them. In this movie, shows how to alter your basic shapes using dedicated shape effects.

more »

Expression Shorts - Random Words Cycle

David Torno | 01/28

Create a text layer that randomly cycles through words.

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Learn how to make a text layer randomly cycle through an array of words that you assign it. Great for random HUD info, background filler, etc…

more »



Revisiting the RED workflow, Smoke 2012 style
Marc-Andre Ferguson
Avid now lets you edit video on your iPad for US$4.99. Should you?
Allan Tépper

A first look at Avid Studio for iPad, and an extrapolation as to what it can mean for pro video editors in the short and longer term.

Marshall Debuts the Orchid, OR-2410
Clint Milby

Grade 1 Monitor Delivers Extreme Color Accuracy On Set

DP Alex Buono Talks C300 At SF SuperMeet
Clint Milby

SNL Veteran, Talks About Using the C300 For Network Television…

Update Alert: Final Cut Pro X goes to 10.0.3
Scott Simmons

A big update adds multicam, manual relinking, broadcast monitoring and the ability to move a project over from FCP7

AJA’s Io XT w/ Thunderbolt is now available, but it is not Riker: What’s the cover-up?
Allan Tépper

Why are William Riker and Leo Laporte involved in a Pegasus cover-up?

Pegasus Thunderbolt RAID5 from PROMISE
Allan Tépper

The high-performance video RAID5 you need for today’s modern Mac-based video editing systems

After Effects Apprentice Free Video: Exploring Shape Effects
Chris and Trish Meyer

An overview of five of the simpler shape operators that can turn your basic outline into something quite twisted.

Evan Schechtman’s Digital ‘Smoke’ House
Clint Milby

Digital Trailblazer Tells Post Professionals, “It’s time to up your game…”

Last week in After Effects
Rich Young

News on tutorials, scripts, plug-ins, demos, and more.

4K > 1080P?
Matt Jeppsen

Why you probably don’t need a 4K TV in your living room

LIGHTING STRATEGIES: Rough Guide to Illuminating a Bounce Card
Art Adams

Lighting a bounce card is easy, right? Right… IF you know the basics. Here they are.

Stereo 3D Video Production with GoPro
Jeff Foster

Using the GoPro HD Hero2 and the 3D Hero System with CineForm Software

Expression Shorts - Random Words Cycle
David Torno

Create a text layer that randomly cycles through words.



From Createasphere

Oscar-Nominated Jeff Cronenweth, ASC Set for Conversation at Createasphere’s ETE

Talented Cinematographer to Discuss Creativity, Story and Back-to-Back Oscar Noms

Createasphere’s Spring Entertainment Technology Expo - the top gathering of entertainment and media professionals, technical innovators, and content experts on the West Coast showcasing emerging media trends in production, post, animation, VFX, advertising, and streaming content - announced renowned cinematographer and Oscar nominee Jeff Cronenweth, ASC as the keynote, Visions of Oscar: Jeff Cronenweth, ASC,  How Collaboration and Talent Gets The Story Told.  The keynote will take place on March 1st at LA Center Studios.

more »

A Video Interview with Rodney Taylor, ASC

Hear how he got started and how he works with aspiring cinematographers.

We sat down with Rodney Taylor, ASC at the Entertainment Technology Expo in Burbank (November 2011) and discussed what it takes to become an accomplished cinematographer.

more »






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Revisiting the RED workflow, Smoke 2012 style

Marc-Andre Ferguson | 02/03- 08:21 AM

My love affair with RED Digital Cinema began in 2007, when my brief stint as demo artist in the NAB RED booth turned into a regular gig at events and trade shows. When I joined Autodesk as Product Designer to help bring Smoke to the Mac, I was quickly assigned to construct our first RED workflow. Back then, building a RED workflow meant exploring unchartered territory, but since then things changed rather quickly in the last couple years.

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Avid now lets you edit video on your iPad for US$4.99. Should you?

Allan Tépper | 02/02- 04:33 PM

A first look at Avid Studio for iPad, and an extrapolation as to what it can mean for pro video editors in the short and longer term.

I was privileged to find out a few hours in advance of the public announcement of Avid Studio for iPad, since Avid contracted me to translate and localize the press release, as fortunately they often do. There was something about this press release that really intrigued me. It wasn’t so much the specific advantages that Avid Studio for iPad has over other editing apps for iPad, like offering both Storyboard and Timeline views in a single iPad app, or being able to import source material from anywhere inside or outside of the iPad. It was more the fact that the announcement was coming from Avid, and the spirit of the two quotes that appear at the end of the press release. In this article, I’ll give a first look at the app, define what it is (and what it isn’t), and extrapolate about what this can mean for video editing in the short, mid, and long term. Of course, I’ll include those two quotes that intrigued me so much.

To be considered for listing, contact pr (at) provideocoalition (dot) com


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