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Chris & Trish Meyer are the founders of CyberMotion, an award-winning Los Angeles motion graphic design studio. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, The Learning Channel, HBO, and PBS. CyberMotion was one of the first studios to create major release film opening titles using desktop tools (including major films such as The Taleneted Mr. Ripley), and they have also created promotional and trade show videos for corporate clients from Apple Computer to Xerox. They specialize in unusual format videos, having animated for IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas.
In addition to their motion graphics work, Trish and Chris have written the books "Creating Motion Graphics with After Effects" and "After Effects Apprentice" (both published by Focal Press). They have written numerous articles on motion graphics for DV magazine, Artbeats.com, and others, and have spoken at AFI, MacWorld, BDA, NAB, and other conferences.
Trish founded CyberMotion after an extensive career in print as a magazine art director for music technology magazines. Her partner Chris, a refugee from the music industry, specializes in sound design and 3D work as well as dealing with multi-format technical issues. Both Trish and Chris have backgrounds as musicians, and a close relationship between sound and picture informs much of their work. They were one of the original beta sites for CoSA (now Adobe) After Effects, and continue to work with that team as well as others to this day.
Welcome to Creating Motion Graphics
Mainstream Media’s new correspondent: YouTube
AFI Digital Content Lab Sessions
At Last - Someone Who Gets Web Advertising
Compression Artifacts & Pulldown
Key Concepts from the Archives
Just Added: Introduction to Expressions in After Effects
Recently Added: Introduction to Parenting in After Effects
Recently Added: Gobos and Gels in After Effects
On Artbeats.com: Article on Editing to Sound
Recently Added: 3D Shadows in After Effects
On Artbeats.com: Article on Frame Rates
Pasting Paths from Illustrator to After Effects
On Artbeats.com: Article on Color Management in After Effects
The Shape of Things to Come: Shape Layers Introduction
Brighter Whites; Richer Colors Part 2: sRGB
Brighter Whites; Richer Colors, Part 1: 16-235
Work Smarter, Not Harder: Nucleo Pro
Camera Control, Part 2: Graph Editor & Dolly Rigs
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