Chris & Trish Meyer
CMG Keyframes is a repository for columns, articles, and videos created by Trish & Chris Meyer of the subject of creating motion graphics using Adobe After Effects and other related programs. It also contains articles on typography, audio, and 3D, as well as links to relevant articles Chris & Trish have published elsewhere.
Trish & Chris Meyer are the founders of Crish Design (formerly known as CyberMotion), an award-winning motion graphic design studio that has recently relocated from Los Angeles to the Albuquerque area. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, HBO, PBS, and TLC; in opening titles for several movies including Cold Mountain and The Talented Mr. Ripley; at trade shows and press events for corporate clients ranging from Apple to Xerox; and in special venues encompassing IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas.
In addition to their motion graphics work, Trish and Chris were among the original users of After Effects, and have written numerous books including "Creating Motion Graphics with After Effects" and "After Effects Apprentice" (both published by Focal Press). They speak regularly at conferences around the country, and perform custom training for studios. Both have backgrounds as musicians, and a close relationship between sound and picture informs much of their work.
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Monday, July 14, 2008
Keeping the viewer focused rather than confused when mixing voice, music, and sound effects.
As some of you know, both of us originally came from the music industry. Chris in particular still composes music and edits dialog for some of CyberMotion’s clients.
Every month, we write a Tips N Tricks article for our friends at Artbeats.com. This month we wrote about how mix audio effectively to ensure the listener can hear the dialog without becoming distracted by the music or sound effects. There’s only a few simple rules you need to learn to make a huge improvement in the quality of your soundtracks. Remember: Bad audio can really distract from good video!
Click here to download a PDF of “Clearly Mixed” from Artbeats.com. (This is an update of our classic 1995 article on mixing, On The Level.)
The content contained in our books, videos, blogs, and articles for other sites are all copyright Crish Design, except where otherwise attributed.
Sunday, July 13, 2008
The secret to getting better shadows, bevels, and glows.
Adobe After Effects has long featured Drop Shadow, Bevel Alpha, and Glow effects, as well as various ways to fill layers with colors or gradients. However, they’re hardly the fanciest options available. Meanwhile, Adobe Photoshop has long featured a powerful Layer Styles module, which includes far fancier shadows, bevels, glows, and fills, which allow you to create more photorealistic effects such as the badge shown at left.
What not many users realize is that there has long been a back door to get some of those Photoshop layer effects into After Effects. And even fewer realize that After Effects CS3 includes support for virtually the entire Photoshop Layer Styles engine. We’d like to let you in on these well-kept secrets.
more »
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steve martin
Recording & Editing Multi-take Voice Overs in Soundtrack Pro
Andrew Balis
Getting Video In and Out of Color
Mark Spencer
Two Great Tastes That Taste Great Together
Mark Spencer
It’s getting cheaper and easier to find stock footage for your project
Mark Spencer
A Two-Part Motion Tip
Brian Gary
Philip Hodget’s Tome on All Things High Definition
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