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Chris & Trish Meyer
CMG Keyframes is a repository for columns, articles, and videos created by Trish & Chris Meyer of the subject of creating motion graphics using Adobe After Effects and other related programs. It also contains articles on typography, audio, and 3D, as well as links to relevant articles Chris & Trish have published elsewhere. Trish & Chris Meyer are the founders of Crish Design (formerly known as CyberMotion), an award-winning motion graphic design studio that has recently relocated from Los Angeles to the Albuquerque area. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, HBO, PBS, and TLC; in opening titles for several movies including Cold Mountain and The Talented Mr. Ripley; at trade shows and press events for corporate clients ranging from Apple to Xerox; and in special venues encompassing IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas. In addition to their motion graphics work, Trish and Chris were among the original users of After Effects, and have written numerous books including "Creating Motion Graphics with After Effects" and "After Effects Apprentice" (both published by Focal Press). They speak regularly at conferences around the country, and perform custom training for studios. Both have backgrounds as musicians, and a close relationship between sound and picture informs much of their work. CMG-BlogMade with After EffectsAdobe MAX 2011 Technology Sneak PeeksCoke Classic: Final Cut Studio is BackNVIDIA OptixAfter Effects Apprentice: ExpressionsAfter Effects Apprentice: ParentingUsing Audition with After EffectsAfter Effects Apprentice: Type and MusicStereoscopic 3D in After Effects CS5.5Updated: Adobe Warp Stabilizer (P)Review
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On Artbeats.com: Using the RED One for Stock FootageSome of their lessons learned shooting with the RED.
When we heard that Artbeats were shooting stock footage with their new RED One camera, we were curious to know what they had learned, including issues such as lenses (they ended up getting a Nikon mount and using SLR lenses while waiting for RED to produce cost-effective PL-mount lenses in greater quantity), image latitude (they feel the RED rolls off highlights and shadows better than their Sony F900R, giving a more filmic response), workflow (they transcode RAW files to DPX film-format files for processing in After Effects), and the such. more » Page 1 of 1 pages Advertisement |
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Getting the Most out of Motion
12 Tips for Improving Motion’s Performance
One of the most enjoyable features of Motion is its ability to play back even moderately complex projects in real time - allowing for a type of interactive development process where you can add and animate layers while the project plays back. In fact, the real-time playback feels so intuitive and natural after only a short time that it becomes quite addictive - to the point where it can be really annoying when the performance begins to slow down.
Don’t Forget Apple
If you are looking for Motion training, Apple’s own website is a great resource
Apple has recently revised the entire Final Cut Studio section of their website, adding a large amount of descriptions, images, and video training on Motion. You can see some short videos on key Motion features here.
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