Chris & Trish Meyer
CMG Keyframes is a repository for columns, articles, and videos created by Trish & Chris Meyer of the subject of creating motion graphics using Adobe After Effects and other related programs. It also contains articles on typography, audio, and 3D, as well as links to relevant articles Chris & Trish have published elsewhere.
Trish & Chris Meyer are the founders of Crish Design (formerly known as CyberMotion), an award-winning motion graphic design studio that has recently relocated from Los Angeles to the Albuquerque area. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, HBO, PBS, and TLC; in opening titles for several movies including Cold Mountain and The Talented Mr. Ripley; at trade shows and press events for corporate clients ranging from Apple to Xerox; and in special venues encompassing IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas.
In addition to their motion graphics work, Trish and Chris were among the original users of After Effects, and have written numerous books including "Creating Motion Graphics with After Effects" and "After Effects Apprentice" (both published by Focal Press). They speak regularly at conferences around the country, and perform custom training for studios. Both have backgrounds as musicians, and a close relationship between sound and picture informs much of their work.
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Sunday, March 15, 2009
Some respect for the much-maligned Cartoon effect.
After Effects CS4 ships with a Cartoon effect, which can be used to give live-action footage more of a hand-inked look. Intended as a technology demonstration for what could be done with Adobe’s new Pixel Bender toolkit, it was pounced upon by many as example of how supposedly weak the AE CS4 upgrade was (with the benefit of experience, we beg to differ). The problem was that most of the early examples of Cartoon showed it at its default (or otherwise somewhat random) settings - and effects rarely look their best at their defaults.
To counter the perhaps mistaken conceptions about Cartoon, we wrote a tutorial for Artbeats.com that gives some hints on how to get more out of the Cartoon effect. Unfortunately, after the piece was published, we realized that it might be hard to tell the exact results by looking at the scaled-down and compressed images in the PDF. Therefore, after the “more” link below we’re including larger versions of the images with heavily truncated captions. (Be patient; they will take a few seconds to download.) We still suggest you download the file from Artbeats; if you subscribe to their newsletter, you got the main image (see on page 2 of this post) for free, and in a couple of days an AE CS4 project file should also be available to help you experiment with some of the results.
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Sunday, March 01, 2009
An introduction to typsetting in After Effects.
We’ve recently released After Effects Apprentice (2nd Edition). The DVD-ROM that comes with the book includes an hour and a half of video tutorials that provide gentle introductions to major features inside After Effects, such as text and expressions. In this third video, we show the different ways to create and style type, including tips on areas such as kerning that will help your text look more professional. Click on the Play Video link below, and enjoy!
(Note: For those who are hearing-impaired, lynda.com has added Closed Captioning to these tutorials. They are available here. We are also in the process of creating video training for all of the After Effects Apprentice lessons; they will also appear on lynda.com. If you do not have a lynda.com subscription, click here for a free 7-day pass.)
After Effects Apprentice was designed for students looking to learn After Effects from scratch, as well as those who do not use AE full time (such as editors or web designers). It starts gently with an introduction to keyframing, and progresses through the important features (such as masks, mattes, effects, text, audio, 3D space, shape layers, expressions, parenting, and building advanced hierarchies of compositions) until you end up keying, stabilizing, and compositing a shot in high def. The second edition has been fully revamped for After Effects CS4, and includes integration with Photoshop CS4 Extended and Flash Professional CS4.
The content contained in After Effects Apprentice - as well as the CMG Blogs and CMG Keyframes posts on ProVideoCoalition - are copyright Crish Design, except where otherwise attributed.
Click to play audio / video»
Sunday, March 01, 2009
A primer for After Effects artists.
If you’re familiar with animating text in After Effects, you might glance at Apple’s Motion and think that it offers many of the same features for flying text around. While that is true, if you look a little closer you’ll find that Motion can create some really great looks that you just can’t get with After Effects. In this article, I’ll review the text capabilites of both programs, and lead you through in detail how to typeset and animate text in Motion. At the end, I’ll discuss some additional details that separate the two programs. (Note: This article compares Motion 3 and After Effects CS4. Motion 4 has added some new text capabilities.)
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Mark Spencer
Billy Fox on MacBreak Studio
Mark Spencer
Quick Animated Glints
Mark Spencer
Terrible Handwriting? Excellent!
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