Chris & Trish Meyer
CMG Keyframes is a repository for columns, articles, and videos created by Trish & Chris Meyer of the subject of creating motion graphics using Adobe After Effects and other related programs. It also contains articles on typography, audio, and 3D, as well as links to relevant articles Chris & Trish have published elsewhere.
Trish & Chris Meyer are the founders of Crish Design (formerly known as CyberMotion), an award-winning motion graphic design studio that has recently relocated from Los Angeles to the Albuquerque area. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, HBO, PBS, and TLC; in opening titles for several movies including Cold Mountain and The Talented Mr. Ripley; at trade shows and press events for corporate clients ranging from Apple to Xerox; and in special venues encompassing IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas.
In addition to their motion graphics work, Trish and Chris were among the original users of After Effects, and have written numerous books including "Creating Motion Graphics with After Effects" and "After Effects Apprentice" (both published by Focal Press). They speak regularly at conferences around the country, and perform custom training for studios. Both have backgrounds as musicians, and a close relationship between sound and picture informs much of their work.
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Tuesday, June 09, 2009
Inspiration for choosing a colors on your next job.
Over on Artbeats.com, they just published the second of a trio of articles we’re writing on the use of color. In this one, we give several ideas for how to develop an appropriate color palette for a specific job, including tips on using a client’s print colors, applying effects to key shots to create sample color swatches, and using Adobe’s Kuler utility to browse for or create your own color palettes.
Click here to download the PDF of “Choosing a Color Palette” from Artbeats.com.
(Click here to download the PDF of the previous article in the series, “Color Theory”)
In the next installment, we’ll suggest a few ideas that make it easier for you to re-use a color palette throughout a job, including using expressions in After Effects to link colors to a master swatch that you can then change to your client’s content.
The content contained in our books, videos, blogs, and articles for other sites are all copyright Crish Design, except where otherwise attributed.
Tuesday, June 02, 2009
A quickie on how to use the 3D Axis Arrows to manipulate 3D layers.
We’ve recently released After Effects Apprentice (2nd Edition). The DVD-ROM that comes with the book includes an hour and a half of video tutorials that provide gentle introductions to major features inside After Effects. We are releasing these videos one per month here on PVC; they are also available on Focal Press’ web site - make sure you visit their After Effects micro-site for more free chapters and tutorials.
In this sixth video, we provide a quick overview of how to use the 3D Axis Arrows to manipulate 3D layers in After Effects. We know that many After Effects users - especially those from print and video editing backgrounds - have probably not used a 3D program before; hopefully this will bring you one step closer to overcoming any apprehension you may have over diving into 3D. The next movie will cover how to use the 3D camera tool to manipulate both cameras and 3D viewports. In the meantime, click on the Play Video link below, and enjoy!
(Note: For those who are hearing-impaired, lynda.com has added Closed Captioning to these tutorials. They are available here. We are also in the process of creating video training for all of the After Effects Apprentice lessons; they will also appear on lynda.com. If you do not have a lynda.com subscription, click here for a free 7-day pass.)
After Effects Apprentice was designed for students looking to learn After Effects from scratch, as well as those who do not use AE full time (such as editors or web designers). It starts gently with an introduction to keyframing, and progresses through the important features (such as masks, mattes, effects, text, audio, 3D space, shape layers, expressions, parenting, and building advanced hierarchies of compositions) until you end up keying, stabilizing, and compositing a shot in high def. The second edition has been fully revamped for After Effects CS4, and includes integration with Photoshop CS4 Extended and Flash Professional CS4.
The content contained in After Effects Apprentice - as well as the CMG Blogs and CMG Keyframes posts on ProVideoCoalition - are copyright Crish Design, except where otherwise attributed.
Click to play audio / video»
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