Chris & Trish Meyer
CMG Keyframes is a repository for columns, articles, and videos created by Trish & Chris Meyer of the subject of creating motion graphics using Adobe After Effects and other related programs. It also contains articles on typography, audio, and 3D, as well as links to relevant articles Chris & Trish have published elsewhere.
Trish & Chris Meyer are the founders of Crish Design (formerly known as CyberMotion), an award-winning motion graphic design studio that has recently relocated from Los Angeles to the Albuquerque area. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, HBO, PBS, and TLC; in opening titles for several movies including Cold Mountain and The Talented Mr. Ripley; at trade shows and press events for corporate clients ranging from Apple to Xerox; and in special venues encompassing IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas.
In addition to their motion graphics work, Trish and Chris were among the original users of After Effects, and have written numerous books including "Creating Motion Graphics with After Effects" and "After Effects Apprentice" (both published by Focal Press). They speak regularly at conferences around the country, and perform custom training for studios. Both have backgrounds as musicians, and a close relationship between sound and picture informs much of their work.
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Saturday, March 12, 2011
A selection of “hidden gems” from Chapter 15 of Creating Motion Graphics with After Effects.
As you are aware by now, we’re going through our book Creating Motion Graphics with After Effects 5th Edition (“CMG5” for short) and pulling out a few “hidden gems” from each chapter. These will include both essential tips for new users, as well as timesaving gems that experienced users may not be aware existed.
Chapter 15 covers lighting 3D layers in After Effects. It discusses the different types of lights and their parameters, how lights interact with layers and their Material Options, the many secrets of shadows, creating gels and gobos, faking reflections, adjustment lights, projection lights, and using 3D lights to re-illuminate already-shot 2D footage.
This is the third chapter in Part 4 - Cameras! Lights! Action!. The next chapter in this series will cover tips for combining different types of “3D” layers.
more »Click to play audio / video»
Friday, March 04, 2011
A selection of “hidden gems” from Chapter 14 of Creating Motion Graphics with After Effects.
As you are aware by now, we’re going through our book Creating Motion Graphics with After Effects 5th Edition (“CMG5” for short) and pulling out a few “hidden gems” from each chapter. These will include both essential tips for new users, as well as timesaving gems that experienced users may not be aware existed.
Chapter 14 covers creating and animating a camera, including creating camera rigs and taking advantage of auto orientation, as well as showing how to cut between multiple cameras. We conclude by discussing the camera’s parameters in more detail, including how to fake focus and depth of field effects.
This is the second chapter in Part 4 – Cameras! Lights! Action!. The next chapter in this series will cover tips for working with lights.
more »
Tuesday, March 01, 2011
A freebie from our new video training series on lynda.com.
As we mentioned earlier, we’re creating a video training series based on our popular beginner’s book After Effects Apprentice, which progresses from “I haven’t used it before” through core skills including keyframing, masking, text animation, and 3D space to advanced techniques such as motion tracking, green screen, and expressions. The third course is based on the Advanced Animation section of the book, where we demonstrate a number of tools in After Effects to create more sophisticated animations - from mastering the Anchor Point and getting over your fear of the Graph Editor, to using Motion Sketch, Smoother, Auto-orientation, Roving keyframes, Motion Blur, and Hold keyframes.
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Saturday, February 26, 2011
A selection of “hidden gems” from Chapter 13 of Creating Motion Graphics with After Effects.
As you are aware by now, we’re going through our book Creating Motion Graphics with After Effects 5th Edition (“CMG5” for short) and pulling out a few “hidden gems” from each chapter. These will include both essential tips for new users, as well as timesaving gems that experienced users may not be aware existed.
Chapter 13 covers the basics of working with 3D layers in After Effects and includes moving, rotating and animating layers in 3D space, offsetting their anchor point in Z, as well as auto-orientating layers along a 3D path. We also cover using the Composition’s 3D Views, View Layouts, and Axis Modes, along with the rendering order when mixing 2D and 3D layers. The article contains a few tips from that long chapter that you might have missed.
This is the first chapter in Part 4 – Cameras! Lights! Action!. The next three chapters will cover tips for working with Cameras, Lighting in 3D, and Parallel Worlds (more on mixing 2D and 3D layers, Photoshop Extended layers, and third-party 3D effects).
more »
Friday, January 28, 2011
A selection of “hidden gems” from Chapter 8 of Creating Motion Graphics with After Effects.
As you are probably aware by now, we’re going through our book Creating Motion Graphics with After Effects 5th Edition (“CMG5” for short) and pulling out a few “hidden gems” from each chapter. These will include both essential tips for new users, as well as timesaving gems that experienced users may not be aware existed.
Chapter 9 of CMG5 contains an exhaustive discussion of Blending Modes, including numerous figures and examples plus explanations of the math behind the modes. Therefore, in this Hidden Gems installment we’re going to focus on some of the less obvious tips, plus throw in a video on an alternative approach to tinting or colorizing footage:
more »Click to play audio / video»
Saturday, January 22, 2011
A selection of “hidden gems” from Chapter 8 of Creating Motion Graphics with After Effects.
As you are probably aware by now, we’re going through our book Creating Motion Graphics with After Effects 5th Edition (“CMG5” for short) and pulling out a few “hidden gems” from each chapter. These will include both essential tips for new users, as well as timesaving gems that experienced users may not be aware existed.
Chapter 8 of CMG5 covers motion blur as well as echo-style effects. Here’s a few tips on these subjects, including using a stock After Effects plug-in to fake motion blur in footage that doesn’t have enough:
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Friday, May 29, 2009
Techniques to easily create scrolling banners, ticker tapes, and other graphics.
It seems such a simple idea: a banner scrolls across the top or bottom of your comp, repeating the same few words over and over, and doing so seamlessly for as long as you need.
Here’s how to create such an animated banner in After Effects, using either the Offset (or Motion Tile) effect or the Autoscroll animation preset. If you have After Effects CS4 and would like to follow along, download the CS4 project file: AE-Tips-5_scrolling_CS4.zip
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Wednesday, February 04, 2009
A Tip a Day Keeps the Doctor Away
Continuing our series of After Effects tips, including the itty bitty tilde key and other essential shortcuts for manipulating panels, layers and markers:
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Mark Spencer
On this week’s MacBreak Studio
Todd_Kopriva
Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.
Chris and Trish Meyer
...plus an update on what’s next for the Apprentice series.
Scott Simmons
Plus a little screencast in this blog post on a topic we didn’t get to cover.
Art Adams
You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.
Matt Jeppsen
Use a boom mic and some common sense!
Chris and Trish Meyer
Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.
Mark Spencer
Motion Magic on MacBreak Studio
Scott Simmons
These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement
Allan Tépper
If you agree, please sign the online petition requesting the required updates.
Michelle Gallina
CS6 Production Premium Road Show
Rich Young
New videos from Brian Maffitt
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