Chris & Trish Meyer

Chris & Trish Meyer are the founders of CyberMotion, an award-winning Los Angeles motion graphic design studio. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, The Learning Channel, HBO, and PBS. CyberMotion was one of the first studios to create major release film opening titles using desktop tools (including major films such as The Taleneted Mr. Ripley), and they have also created promotional and trade show videos for corporate clients from Apple Computer to Xerox. They specialize in unusual format videos, having animated for IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas.

In addition to their motion graphics work, Trish and Chris have written the books "Creating Motion Graphics with After Effects" and "After Effects Apprentice" (both published by Focal Press). They have written numerous articles on motion graphics for DV magazine, Artbeats.com, and others, and have spoken at AFI, MacWorld, BDA, NAB, and other conferences.

Trish founded CyberMotion after an extensive career in print as a magazine art director for music technology magazines. Her partner Chris, a refugee from the music industry, specializes in sound design and 3D work as well as dealing with multi-format technical issues. Both Trish and Chris have backgrounds as musicians, and a close relationship between sound and picture informs much of their work. They were one of the original beta sites for CoSA (now Adobe) After Effects, and continue to work with that team as well as others to this day.

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Complete Archives
Category Archives
After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition
After Effects Apprentice Free Video: Using Parenting to Animate Layers as a Unit
After Effects Apprentice Free Video: Working with Nested 3D Compositions
After Effects Apprentice Free Video: Copying Paths from Illustrator to After Effects
After Effects CS6 Tutorial: Exporting 3D Camera Tracker Data to Cinema 4D
After Effects CS6 Tutorial: Targeting Properties in the new Ray-Traced 3D Engine
After Effects CS6 (P)Review
After Effects Apprentice Free Video: Exploring Shape Effects
After Effects Apprentice Free Video: Drawing Parametric Shapes
After Effects Apprentice Free Video: The Puppet Starch Tool
After Effects Apprentice Free Video: Eraser Tool Modes
After Effects Apprentice Free Video: Tracking with mochaAE
After Effects Apprentice Free Video: Performing a Motion Track
After Effects Apprentice Free Video: Creating 3D Objects using Adobe Repoussé
After Effects Apprentice Free Video: Understanding Axis Modes
Using After Effects as an Advanced Titler for Premiere Pro
After Effects Apprentice Free Video: Creating an Orbit Camera Rig
CMG Hidden Gems: Chapter 45 – What’s Your Preference?
CMG Hidden Gems: Chapter 44 – Prerendering and Proxies
CMG Hidden Gems: Chapter 43 – Advanced Rendering
CMG Hidden Gems: Chapter 42 – Render Queue
CMG Hidden Gems: Chapter 41 – Video Issues
CMG Hidden Gems: Chapter 40B – 3D Channel Effects
CMG Hidden Gems: Chapter 40 – Integrating with 3D Applications
CMG Hidden Gems: Chapter 39 – Integration 101

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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse

Art Adams | 05/24- 11:24 AM

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

I love stacking cucolorii…

David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection

Todd_Kopriva | 05/22- 12:31 PM

Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.

In December…

After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition

Chris and Trish Meyer | 05/21- 08:53 AM

...plus an update on what’s next for the Apprentice series.

As…


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