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Chris & Trish Meyer
Chris & Trish Meyer are the founders of CyberMotion, an award-winning Los Angeles motion graphic design studio. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, The Learning Channel, HBO, and PBS. CyberMotion was one of the first studios to create major release film opening titles using desktop tools (including major films such as The Taleneted Mr. Ripley), and they have also created promotional and trade show videos for corporate clients from Apple Computer to Xerox. They specialize in unusual format videos, having animated for IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas. In addition to their motion graphics work, Trish and Chris have written the books "Creating Motion Graphics with After Effects" and "After Effects Apprentice" (both published by Focal Press). They have written numerous articles on motion graphics for DV magazine, Artbeats.com, and others, and have spoken at AFI, MacWorld, BDA, NAB, and other conferences. Trish founded CyberMotion after an extensive career in print as a magazine art director for music technology magazines. Her partner Chris, a refugee from the music industry, specializes in sound design and 3D work as well as dealing with multi-format technical issues. Both Trish and Chris have backgrounds as musicians, and a close relationship between sound and picture informs much of their work. They were one of the original beta sites for CoSA (now Adobe) After Effects, and continue to work with that team as well as others to this day. 
August 2008July 2008June 2008May 2008April 2008March 2008February 2008July 2007May 2007November 2006September 2006August 2006January 2006November 2005September 2005July 2005June 2005April 2005November 2004September 2004November 2003September 2003July 2003December 2002November 2002October 2002September 2002November 2001July 2001June 2001March 2001October 2000May 2000January 2000July 1999January 1998February 1997July 1995Complete ArchivesCategory Archives
Key Concepts from the ArchivesAfter Effects Tips - Installment 1Fractal Noise TutorialOn Artbeats.com: Article on Mixing SoundLayer Styles in After EffectsRecently Added: Introduction to Expressions in After EffectsRecently Added: Introduction to Parenting in After EffectsRecently Added: Gobos and Gels in After EffectsOn Artbeats.com: Article on Editing to SoundOn Artbeats.com: Article on Frame RatesQ&A: Audio QueriesPasting Paths from Illustrator to After EffectsOn Artbeats.com: Article on Color Management in After EffectsNon-Square StrategiesMotion 3 = 3DThe Shape of Things to Come: Shape Layers IntroductionBrighter Whites; Richer Colors Part 2: sRGBBrighter Whites; Richer Colors, Part 1: 16-235Work Smarter, Not Harder: Nucleo ProCamera Control, Part 2: Graph Editor & Dolly RigsCamera Control, Part 1: Auto-Orient & OrbitMap ExplorationThe Hi-Def ChecklistVisual Rhythm, Part 2: Motion & Cinema TricksVisual Rhythm, Part 1: After Effects TricksCMG-BlogWelcome to Creating Motion GraphicsTED Talk: How creativity is being strangled by the lawAfter Effects CS4 Will Be Intel-OnlyXScriptorium: New AE Script/Expression ResourceTED Talk: Where does creativity hide?Spotlight: Promos for FOX’s “Fringe”Spotlight: Nordisk Panorama Filmfestival 2008Adobe will support REDMobile Animation for ComicsFocus On Design |
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Thursday, May 15, 2008On Artbeats.com: Article on Frame RatesOver on Artbeats.com, we’ve written a treatise on frame rates. Every month, we write a Tips N Tricks article for our friends at Artbeats.com. This month we’ve written a brain dump on where those funky frame rates came from, and issues to watch out for as you get assets from 3D artists, stock footage libraries, film composers, and even well-meaning camera or tape operators that have frame rates that might be just slightly off from what you expect - and how to correct them. Click here to download a 212 KB PDF of “Frame Rate Follies” from Artbeats.com. Fellow PVC writer Mark Christiansen also recently wrote a piece for Artbeats’ NAB 2008 Show Guide on creating ramping speed effects in After Effects; click here to download the 1.1 MB PDF. In a similar vein, we also wrote an article for Artbeats on using the same underlying technique to bend the time of a clip to match a soundtrack; click here to download the 2.3 MB PDF of it. By the way, Artbeats has a monthly email newsletter which contains links to each of our articles for them as they are released, plus a link for registered users to download a free full-size clip every month. Click here to register. Motion Graphics • Production • (0) Comments • • Permalink Page 1 of 1 pages |
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On Artbeats.com: Article on Frame RatesOver on Artbeats.com, we’ve written a treatise on frame rates. Every month, we write a Tips N Tricks article for our friends at Artbeats.com.… Advertisements |
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