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Chris & Trish Meyer
Chris & Trish Meyer are the founders of CyberMotion, an award-winning Los Angeles motion graphic design studio. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, The Learning Channel, HBO, and PBS. CyberMotion was one of the first studios to create major release film opening titles using desktop tools (including major films such as The Taleneted Mr. Ripley), and they have also created promotional and trade show videos for corporate clients from Apple Computer to Xerox. They specialize in unusual format videos, having animated for IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas. In addition to their motion graphics work, Trish and Chris have written the books "Creating Motion Graphics with After Effects" and "After Effects Apprentice" (both published by Focal Press). They have written numerous articles on motion graphics for DV magazine, Artbeats.com, and others, and have spoken at AFI, MacWorld, BDA, NAB, and other conferences. Trish founded CyberMotion after an extensive career in print as a magazine art director for music technology magazines. Her partner Chris, a refugee from the music industry, specializes in sound design and 3D work as well as dealing with multi-format technical issues. Both Trish and Chris have backgrounds as musicians, and a close relationship between sound and picture informs much of their work. They were one of the original beta sites for CoSA (now Adobe) After Effects, and continue to work with that team as well as others to this day. 
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On Artbeats.com: Panning & ScanningAfter Effects Error CodesRecently Added: Article on Texture Mapping in 2DOn Artbeats.com: Using the RED One for Stock FootageRecently Added: Columns on Enhancing FootageOn Artbeats.com: Article on Type BasicsFont ResourcesAfter Effects Tips - Installment 2After Effects Tips - Installment 1Fractal Noise TutorialOn Artbeats.com: Article on Mixing AudioLayer Styles in After EffectsOn Artbeats.com: Article on Editing to SoundOn Artbeats.com: Article on Frame RatesQ&A: Audio QueriesPasting Paths from Illustrator to After EffectsOn Artbeats.com: Article on Color Management in After EffectsNon-Square StrategiesKey Concepts from the ArchivesMotion 3 = 3DThe Shape of Things to Come: Shape Layers IntroductionBrighter Whites; Richer Colors Part 2: sRGBBrighter Whites; Richer Colors, Part 1: 16-235Work Smarter, Not Harder: Nucleo ProCamera Control, Part 2: Graph Editor & Dolly Rigs |
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Monday, December 16, 2002More Motion, Less ControlFor more realistic camera moves, try introducing some imperfections.
Most of you are probably familiar with the concept of using a camera to pan and zoom around still images. Popularized by Ken Burns in his documentary on the Civil War, it is a great trick for any occasion when you don’t have moving video for a scene. You can simulate this by simply animating the position of a still image in virtually any compositing or video editing program. However, there are a number of refinements that can make your life easier, and the end result more realistic. more »Motion Graphics • Post Production • (2) Comments • Most recent comments by: Chris Meyer, adam, • Permalink Page 1 of 1 pages |
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More Motion, Less ControlFor more realistic camera moves, try introducing some imperfections. Most of you are probably familiar with the concept of using a camera to pan and zoom around… Advertisements |
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