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Chris & Trish Meyer
CMG Keyframes is a repository for columns, articles, and videos created by Trish & Chris Meyer of the subject of creating motion graphics using Adobe After Effects and other related programs. It also contains articles on typography, audio, and 3D, as well as links to relevant articles Chris & Trish have published elsewhere. Trish & Chris Meyer are the founders of Crish Design (formerly known as CyberMotion), an award-winning motion graphic design studio that has recently relocated from Los Angeles to the Albuquerque area. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, HBO, PBS, and TLC; in opening titles for several movies including Cold Mountain and The Talented Mr. Ripley; at trade shows and press events for corporate clients ranging from Apple to Xerox; and in special venues encompassing IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas. In addition to their motion graphics work, Trish and Chris were among the original users of After Effects, and have written numerous books including "Creating Motion Graphics with After Effects" and "After Effects Apprentice" (both published by Focal Press). They speak regularly at conferences around the country, and perform custom training for studios. Both have backgrounds as musicians, and a close relationship between sound and picture informs much of their work. CMG-BlogOur Sessions at Post|Production World 2012After Effects Apprentice: The Final ProjectMade with After EffectsAdobe MAX 2011 Technology Sneak PeeksCoke Classic: Final Cut Studio is BackNVIDIA OptixAfter Effects Apprentice: ExpressionsAfter Effects Apprentice: ParentingUsing Audition with After EffectsAfter Effects Apprentice: Type and Music
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On Artbeats.com: Faux ReflectionsOur recipie, including workflow tips.
There are a few different recipies out there on how to fake reflections in After Effects. We recently wrote up our favorite, using a combination of 3D space, nested compositions, Shape Layers to create more controllable gradients, and the lesser-known Lens Blur effect instead of Compound Blur. We also discuss how to set up a hierarchy of compositions to make it easier to swap out the source footage later, and how to use the technique to reflect an animating object on an imaginary floor. Click here to download the PDF of “Faux Reflections” from Artbeats.com. In addition to After Effects-only recopies, we should note that there are a couple of excellent third party plug-ins out there that create reflections. If you’re working in 2D space, check out RG Reflection inside Red Giant Software’s Warp plug-in set, which is available for After Effects, Premiere Pro, Final Cut Pro, Motion, and Avid Xpress Pro/Media Composer. If you’re working in 3D space, you should certainly then check out Zaxwerk’s Reflector for After Effects. (BTW: This reflection trick is put to good use in the final lesson of our latest book, After Effects Apprentice (2nd Edition).) The content contained in our books, videos, blogs, and articles for other sites are all copyright Crish Design, except where otherwise attributed. Page 1 of 1 pages Advertisement |
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