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Chris & Trish Meyer
CMG Keyframes is a repository for columns, articles, and videos created by Trish & Chris Meyer of the subject of creating motion graphics using Adobe After Effects and other related programs. It also contains articles on typography, audio, and 3D, as well as links to relevant articles Chris & Trish have published elsewhere. Trish & Chris Meyer are the founders of Crish Design (formerly known as CyberMotion), an award-winning motion graphic design studio that has recently relocated from Los Angeles to the Albuquerque area. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, HBO, PBS, and TLC; in opening titles for several movies including Cold Mountain and The Talented Mr. Ripley; at trade shows and press events for corporate clients ranging from Apple to Xerox; and in special venues encompassing IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas. In addition to their motion graphics work, Trish and Chris were among the original users of After Effects, and have written numerous books including "Creating Motion Graphics with After Effects" and "After Effects Apprentice" (both published by Focal Press). They speak regularly at conferences around the country, and perform custom training for studios. Both have backgrounds as musicians, and a close relationship between sound and picture informs much of their work. CMG-BlogOur Sessions at Post|Production World 2012After Effects Apprentice: The Final ProjectMade with After EffectsAdobe MAX 2011 Technology Sneak PeeksCoke Classic: Final Cut Studio is BackNVIDIA OptixAfter Effects Apprentice: ExpressionsAfter Effects Apprentice: ParentingUsing Audition with After EffectsAfter Effects Apprentice: Type and Music
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On Artbeats.com: Grayscale ShootoutAlternate paths to better monochrome results.
There are many ways to convert color footage into a grayscale shot - and they are certainly not created equal. Perhaps most surprising is that the time-honored technique of removing all of the saturation from an image can produce unpleasant visual artifacts. In this article on Artbeats.com, we run through our favorite techniques in After Effects, Final Cut Pro, and Motion for deriving a pleasant grayscale image. By the way, this is the article I blogged about earlier which nearly drove me crazy: the same effect can have different names in these programs, while different effects can have the same name. It’s always worth taking the time to test and explore, rather than taking a result a face value. The content contained in our books, videos, blogs, and articles for other sites are all copyright Crish Design, except where otherwise attributed.
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