(Page 1 of 1 pages for this article )

Tuesday, September 01, 2009

Filed under: Motion Graphics

After Effects Apprentice Video Tutorial #9

Chris and Trish Meyer | 09/01

Getting started with Shape Layers.

Earlier this year we released After Effects Apprentice (2nd Edition). The DVD-ROM that comes with the book includes an hour and a half of video tutorials that provide gentle introductions to major features inside After Effects. We’ve been releasing these videos one per month here on PVC.

This tutorial provides a jump-start for using the vector-based Shape Layers that were introduced in After Effects CS3. It demonstrates how to create “parametric” and “path-based” shapes (using the Mask and Pen tools, respectively), setting the color for fill and stroke (including creating gradients), editing shapes, adding shape effects, and how multiple shape paths and groups interact within the same Shape Layer. This is one of our favorite recent additions to After Effects; if nothing else, you should reach for a Shape Layer whenever you used to create a solid - they’re much more flexible.

(Note: For those who are hearing-impaired, Lynda.com has added Closed Captioning to these tutorials. They are available here. If you do not have a Lynda.com subscription, click here for a free 7-day pass.)

After Effects Apprentice was designed for students looking to learn After Effects from scratch, as well as those who do not use AE full time (such as editors or web designers). It starts gently with an introduction to keyframing, and progresses through the important features (such as masks, mattes, effects, text, audio, 3D space, shape layers, expressions, parenting, and building advanced hierarchies of compositions) until you end up keying, stabilizing, and compositing a shot in high def. The second edition has been fully revamped for After Effects CS4, and includes integration with Photoshop CS4 Extended and Flash Professional CS4. Also make sure you visit the After Effects micro-site on FocalPress.com for more free tutorials and sample chapters.

Click to play audio / video »

(Page 1 of 1 pages for this article )

               



You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE.

Name:

Email:

Location:

URL:

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below:


 
Adobe Premiere Pro 3D Stereoscopic Realtime Editing
dhelmly aka DavTechTable | 07/14

In this 7 part series, Dave Helmly walks you through a complete 3D Stereo workflow with Premiere Pro CS5.

I’ve created a start-to-finish workflow on how you can create a 3D stereoscopic workflow in Adobe Premiere Pro CS5 using complementary tools that are on the market today. It’s a must see for anyone getting started with 3D Stereo. This seven-part series covers Active, Passive and Anaglyph viewing as well how to play your videos on a consumer 3D TV. It’s a ton of information so I broke up the series into bite-sized pieces.…

Output module constraints in After Effects CS5
Todd Kopriva | 07/02

In After Effects CS4, you may have seen errors like this when rendering and exporting:

After Effects AEGP Plugin Media IO Plugin
There is a mismatch between Output Module settings. Please verify your settings and try again. Property Data Invalid!
Medial02 error: 0x400e0004
Frame dimensions out of bounds.

This type of “mismatch” error message indicates that you have a setting in the format-specific…

8-bit, 10-bit, 32-bit, and more
Karl Soule | 06/07

Understanding Color Processing in Adobe Premiere Pro

image

Recently, I’ve been getting a lot of questions about the new icons in the Premiere Pro Effects panel, in particular, the “32-Bit” icon seen at left.

People…




Advertisements













Partner Text Links



Copyright 2008 ProVideo Coalition LLC