(Page 1 of 4 pages for this article  1 2 3 >  Last »)

Monday, September 22, 2008

Filed under: *VIDEO*CS4Motion GraphicsVisual Effects

After Effects CS4

Chris and Trish Meyer | 09/22

A quick tour of the new features that will be of interest to motion graphics artists.

Adobe has announced their Creative Suite 4, in which they have aligned the schedules of virtually all of their products to be updated at the same time. One of these programs is, of course, After Effects, which we have based our business around since its release in 1992. As a result, we obviously go over each new release with a fine-tooth comb, looking for which new features will make our lives easier, will give us new looks, and which may open up new avenues of business for us. That last point has become particularly interesting in light of Adobe’s acquisition of Macromedia, plus their focus on integrating functionality across the various programs in the Creative Suite.

In this article, we will give a brief overview of many of those new features. In addition to articles up here on ProVideoCoalition, there are several other places where you can glean additional information:

  • Later Tuesday afternoon (the 23rd), Adobe will be placing the"live help” file for After Effects CS4 online. When it is up, you can access the entire Help file by clicking here, and search for features of specific interest. Click here to jump straight to the New Features page; click here to jump straight to the page that describes changes in the User Interface between CS3 and CS4.
  • We’ve also written an article about the new features in AE CS4 for Focal Press, which appears at www.CMG4CS4.com. That article also outlines our plans for our books in relation to CS4.

On to our hit list of interesting new features in AE CS4:

 

User Interface

Let’s get the most obvious feature out of the way first. After a major overhaul in CS3, the UI has gotten some additional tweaks in CS4. It’s darker, it’s tighter (fewer rounded corners), some of the objects are smaller (be still, shaking mouse hand), some UI names are shorter (while other names are longer - for example, character limits on comp and layer names as well as many other items have now been lifted), selected layer bars have texture again, the Render Queue is a lot more space-efficient, and so forth. There are other nice tweaks as well, such as Layer and Comp markers finally having parity in regards to features, and markers can now have a duration (illustrated as a thin bar extending away from the marker, underneath its text). There are also a few gotchas, such as the shortcut to open Interpret Footage having changed (at least we got a new button for it along the bottom of the Project panel), and some tweaks in the way you open nested comps.

But those are just surface details. There are a couple of new elements in the UI which will make a big difference in your daily life inside After Effects: the new QuickSearch fields, and the new Composition Navigator plus Mini-Flowchart.

QuickSearch

The Project and Timeline panels now have dedicated search dialogs. These make it easy to isolate specific elements based on their name, file type, duration, parameter name, comment, and so forth. This will be a big boon in particular for large and/or disorganized projects.

In addition to the QuickSearch dialogs in the Project and Timeline panels, there is also a dedicated search dialog for the Help file, and (in the Splash screen) for the Tips of the Day. By the way, you really will want an Internet connection active while using After Effects; the online help files (discussed in the intro) are far more extensive than those that are installed on your drive, plus have links to information outside of Adobe’s web site. If you have web access, After Effects will use the online version. A big tip of the hat to Todd Kopriva for spearheading an effort to make Help much more…well, helpful!

Composition Navigator and Mini-Flowchart

As mentioned above, navigating complex projects can quickly become confusing. After Effects CS4 has two tools to help make this easier.

The first is the Composition Navigator. Along the top of the Composition panel, you will now see a chain of composition names, including the one you currently have selected, one that flows into the current comp (the most recently-used or otherwise most “important” comp, if you have more than one nested in the current comp), and the next comp in the chain that the current one feeds. Click on their names to quickly switch between them.

But what if you have a more complex project hierarchy than “A flows into B flows into C”? That’s where the pop-up Mini-Flowchart comes in. Click on the arrow to the right of a comp’s name in the Comp Navigator, or merely tap Shift with the Comp panel forward, and you will get a more detailed diagram that shows the entire chain, including cases where one comp flows into several and vice versa. We see this being particularly handy late at night, on deadline, when the client has asked for a “minor” change in a complicated project - you can quickly see just who is connected to whom.

next page: new effects & bundled software

(Page 1 of 4 pages for this article  1 2 3 >  Last »)

               



You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE.

Todd Kopriva has posted a near-comprehensive list of new features in AE CS4 in his blog:

http://blogs.adobe.com/toddkopriva/

Posted by Chris Meyer  on  09/26  at  03:23 PM


Really expensive. The Master Collection of CS4 costs $1,599 for CS3 suites users to upgrade. If buying all applications individually, OMG, a total of $6,290! And I don’t think the five CS4 packages is a serious bargain since I regularly use only one of the included applications—Design Premium. I wish that Adobe would lower the prices.

Posted by Melissa  on  02/16  at  06:25 PM


Name:

Email:

Location:

URL:

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below:




After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition
After Effects Apprentice Free Video: Using Parenting to Animate Layers as a Unit
After Effects Apprentice Free Video: Working with Nested 3D Compositions
After Effects Apprentice Free Video: Copying Paths from Illustrator to After Effects
After Effects CS6 Tutorial: Exporting 3D Camera Tracker Data to Cinema 4D
After Effects CS6 Tutorial: Targeting Properties in the new Ray-Traced 3D Engine
After Effects CS6 (P)Review
After Effects Apprentice Free Video: Exploring Shape Effects
After Effects Apprentice Free Video: Drawing Parametric Shapes
After Effects Apprentice Free Video: The Puppet Starch Tool
After Effects Apprentice Free Video: Eraser Tool Modes
After Effects Apprentice Free Video: Tracking with mochaAE
After Effects Apprentice Free Video: Performing a Motion Track
After Effects Apprentice Free Video: Creating 3D Objects using Adobe Repoussé
After Effects Apprentice Free Video: Understanding Axis Modes
Using After Effects as an Advanced Titler for Premiere Pro
After Effects Apprentice Free Video: Creating an Orbit Camera Rig
CMG Hidden Gems: Chapter 45 – What’s Your Preference?
CMG Hidden Gems: Chapter 44 – Prerendering and Proxies
CMG Hidden Gems: Chapter 43 – Advanced Rendering
CMG Hidden Gems: Chapter 42 – Render Queue
CMG Hidden Gems: Chapter 41 – Video Issues
CMG Hidden Gems: Chapter 40B – 3D Channel Effects
CMG Hidden Gems: Chapter 40 – Integrating with 3D Applications
CMG Hidden Gems: Chapter 39 – Integration 101
After Effects Apprentice Free Video: Multiple Playback Speeds
CMG Hidden Gems: Chapter 38 – Import and Interpret
CMG Hidden Gems: Chapter 37B and 37C – Expressions and Scripting Bonus Chapters
CMG Hidden Gems: Chapter 37 – Expressions
CMG Hidden Gems: Chapter 36B – Audio Effects







After Effects Apprentice Free Video: Working with Nested 3D Compositions

Chris and Trish Meyer | 05/07

How you can be two places at once inside After Effects

As we mentioned awhile back, we’ve been busy the past year and a half creating an extensive, multi-course video training…

Expression Shorts - loop

David Torno | 05/06

Learn how the loop expressions work.

image

Looping is a very common task in our industry and is mostly associated with video footage of some…

After Effects Apprentice Free Video: Copying Paths from Illustrator to After Effects

Chris and Trish Meyer | 05/01

Revealing Illustrator paths requires a few intermediate steps, involving After Effects masks and effects.

Buried in the shuffle over the announcement of After Effects CS6 is that we concluded the video training series for our book After…

Making a Matte Painting with Elements in Motion in After Effects

Jeff Foster | 04/29

I take-apart a real-world project to show you how it was created

In the days of early motion picture making the art of “matte painting” was a process of actually painting with oils on a plate glass that was then shot in position in front of a scene on location or in the studio where the film would be exposed by the combined images through the…

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2012, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank