(Page 1 of 2 pages for this article  1 2 >)

Sunday, March 15, 2009

Filed under: CS4Motion Graphics

On Artbeats.com: Cartoonification

Chris and Trish Meyer | 03/15

Some respect for the much-maligned Cartoon effect.

After Effects CS4 ships with a Cartoon effect, which can be used to give live-action footage more of a hand-inked look. Intended as a technology demonstration for what could be done with Adobe’s new Pixel Bender toolkit, it was pounced upon by many as example of how supposedly weak the AE CS4 upgrade was (with the benefit of experience, we beg to differ). The problem was that most of the early examples of Cartoon showed it at its default (or otherwise somewhat random) settings - and effects rarely look their best at their defaults.

To counter the perhaps mistaken conceptions about Cartoon, we wrote a tutorial for Artbeats.com that gives some hints on how to get more out of the Cartoon effect. Unfortunately, after the piece was published, we realized that it might be hard to tell the exact results by looking at the scaled-down and compressed images in the PDF. Therefore, after the “more” link below we’re including larger versions of the images with heavily truncated captions. (Be patient; they will take a few seconds to download.) We still suggest you download the file from Artbeats; if you subscribe to their newsletter, you got the main image (see on page 2 of this post) for free, and in a couple of days an AE CS4 project file should also be available to help you experiment with some of the results.

Overall Examples: Shot Selection Matters!

Artbeats clip KS132 from their Kids of Summer collection/

You can see where this image is not a good candidate for Cartoon, as it is too busy with similar-sized objects, and too many surfaces of the same color.

Artbeats clip PK106 from their Portraits: Kids collection.

This application of Cartoon uses the exact same settings as the first example, but the results are much better. The secret is selecting an original clip with more variety in size of objects (and therefore, amount of details) as well as color.

Artbeats clip FWR102 from their Faces of the World collection.

A more subtle application of Cartoon. The details (“edges”) in the beard can be controlled from being over-inked by reducing the Edge settings from their defaults.

Artbeats clip TE103 from their Teens on the Edge collection.

Obviously, stark colorful clips are great fodder for the Cartoon effect.

We almost always follow Cartoon with a color correction effect to alter the posterized colors Cartoon creates.

next page: tweaking specific parameters

(Page 1 of 2 pages for this article  1 2 >)

               



You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE.

Name:

Email:

Location:

URL:

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below:




After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition
After Effects Apprentice Free Video: Using Parenting to Animate Layers as a Unit
After Effects Apprentice Free Video: Working with Nested 3D Compositions
After Effects Apprentice Free Video: Copying Paths from Illustrator to After Effects
After Effects CS6 Tutorial: Exporting 3D Camera Tracker Data to Cinema 4D
After Effects CS6 Tutorial: Targeting Properties in the new Ray-Traced 3D Engine
After Effects CS6 (P)Review
After Effects Apprentice Free Video: Exploring Shape Effects
After Effects Apprentice Free Video: Drawing Parametric Shapes
After Effects Apprentice Free Video: The Puppet Starch Tool
After Effects Apprentice Free Video: Eraser Tool Modes
After Effects Apprentice Free Video: Tracking with mochaAE
After Effects Apprentice Free Video: Performing a Motion Track
After Effects Apprentice Free Video: Creating 3D Objects using Adobe Repoussé
After Effects Apprentice Free Video: Understanding Axis Modes
Using After Effects as an Advanced Titler for Premiere Pro
After Effects Apprentice Free Video: Creating an Orbit Camera Rig
CMG Hidden Gems: Chapter 45 – What’s Your Preference?
CMG Hidden Gems: Chapter 44 – Prerendering and Proxies
CMG Hidden Gems: Chapter 43 – Advanced Rendering
CMG Hidden Gems: Chapter 42 – Render Queue
CMG Hidden Gems: Chapter 41 – Video Issues
CMG Hidden Gems: Chapter 40B – 3D Channel Effects
CMG Hidden Gems: Chapter 40 – Integrating with 3D Applications
CMG Hidden Gems: Chapter 39 – Integration 101
After Effects Apprentice Free Video: Multiple Playback Speeds
CMG Hidden Gems: Chapter 38 – Import and Interpret
CMG Hidden Gems: Chapter 37B and 37C – Expressions and Scripting Bonus Chapters
CMG Hidden Gems: Chapter 37 – Expressions
CMG Hidden Gems: Chapter 36B – Audio Effects







Simulated Rack Focus for Believable Composites

Jeff Foster | 02/26

Matching Foreground Green Screen and Background Plates with Rack Focus Effect in After Effects

If you’re looking to give your green screen composites another step of realism or to simulate the look of a shallow DOF with a DSLR, then this video tutorial will show you how! Using Adobe After Effects, I show you first how to get a great green screen composite with Keylight and then alter…

Upgrading to After Effects CS5.5?

Chris and Trish Meyer | 08/08

A quick review of what’s changed in recent versions

As Adobe and their various vendors have been offering a variety of discounts and incentives this year (as well as floating the idea that you’ll need to own at least CS5 to get discounted upgrade pricing on the next Creative Suite), we’re…

CMG Hidden Gems: Effects Roundup Bonus

Chris and Trish Meyer | 05/13

A handful of videos on some general concepts and specific effects.

Last week’s installment of Hidden Gems on effects was so well received, we decided to break out of our…

Blend Modes in Adobe Premiere Pro

Chris Meyer | 11/19

This underutilized, recently-added feature provides numerous ways to enhance your footage.

As a motion graphics artist, one of our favorite tricks to enhance an uninspiring clip is not to use effects, but instead to combine it with other clips using Blend Modes (also known as Blending, Composite, or Transfer Modes). Modes provide simple,…

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2012, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank