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Chris & Trish Meyer
CMG Keyframes is a repository for columns, articles, and videos created by Trish & Chris Meyer of the subject of creating motion graphics using Adobe After Effects and other related programs. It also contains articles on typography, audio, and 3D, as well as links to relevant articles Chris & Trish have published elsewhere. Trish & Chris Meyer are the founders of Crish Design (formerly known as CyberMotion), an award-winning motion graphic design studio that has recently relocated from Los Angeles to the Albuquerque area. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, HBO, PBS, and TLC; in opening titles for several movies including Cold Mountain and The Talented Mr. Ripley; at trade shows and press events for corporate clients ranging from Apple to Xerox; and in special venues encompassing IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas. In addition to their motion graphics work, Trish and Chris were among the original users of After Effects, and have written numerous books including "Creating Motion Graphics with After Effects" and "After Effects Apprentice" (both published by Focal Press). They speak regularly at conferences around the country, and perform custom training for studios. Both have backgrounds as musicians, and a close relationship between sound and picture informs much of their work. CMG-BlogOur Sessions at Post|Production World 2012After Effects Apprentice: The Final ProjectMade with After EffectsAdobe MAX 2011 Technology Sneak PeeksCoke Classic: Final Cut Studio is BackNVIDIA OptixAfter Effects Apprentice: ExpressionsAfter Effects Apprentice: ParentingUsing Audition with After EffectsAfter Effects Apprentice: Type and Music
May 2012April 2012January 2012December 2011November 2011October 2011September 2011August 2011July 2011June 2011May 2011April 2011March 2011February 2011January 2011December 2010November 2010October 2010September 2010August 2010July 2010June 2010May 2010April 2010March 2010February 2010January 2010December 2009November 2009October 2009September 2009August 2009July 2009June 2009May 2009April 2009March 2009February 2009January 2009December 2008November 2008October 2008September 2008August 2008July 2008June 2008May 2008April 2008March 2008February 2008July 2007May 2007November 2006September 2006August 2006January 2006November 2005September 2005July 2005June 2005April 2005December 2004November 2004September 2004November 2003September 2003July 2003December 2002November 2002October 2002September 2002December 2001November 2001July 2001June 2001March 2001October 2000May 2000April 2000January 2000July 1999April 1998March 1998January 1998February 1997July 1995Complete Archives |
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The Missing Video: Sonicfire Pro + After EffectsHow we go back and forth between video and music to enhance how they work together.
A few years ago, SmartSound commissioned us to create video training on how an editor or motion graphics designer could start in their Sonicfire Pro intelligent stock music software to select a soundtrack for a commercial, edit the source clips in After Effects (or any NLE, for that matter) to match the music, and then go back into Sonicfire to massage the music to work better with the now-edited video and voiceover. This video is theoretically still available on SmartSound’s web site, but has become hard to find since they updated their site to tout their latest version (SFP5). As we think it still contains some very useful advice on how one can work more effectively with music and video, we got permission to re-post it here. Although it is specific to Sonicfire and After Effects, the concepts it contains have broad application (especially the middle section “Spotting and Editing to a Soundtrack”). Click the PLAY VIDEO link below to view it. The content contained in the CMG Blogs and CMG Keyframes posts on ProVideoCoalition are copyright Crish Design, except where otherwise attributed. Click to play audio / video»Page 1 of 1 pages Advertisement |
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