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Chris & Trish Meyer
Chris & Trish Meyer are the founders of CyberMotion, an award-winning Los Angeles motion graphic design studio. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, The Learning Channel, HBO, and PBS. CyberMotion was one of the first studios to create major release film opening titles using desktop tools (including major films such as The Taleneted Mr. Ripley), and they have also created promotional and trade show videos for corporate clients from Apple Computer to Xerox. They specialize in unusual format videos, having animated for IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas. In addition to their motion graphics work, Trish and Chris have written the books "Creating Motion Graphics with After Effects" and "After Effects Apprentice" (both published by Focal Press). They have written numerous articles on motion graphics for DV magazine, Artbeats.com, and others, and have spoken at AFI, MacWorld, BDA, NAB, and other conferences. Trish founded CyberMotion after an extensive career in print as a magazine art director for music technology magazines. Her partner Chris, a refugee from the music industry, specializes in sound design and 3D work as well as dealing with multi-format technical issues. Both Trish and Chris have backgrounds as musicians, and a close relationship between sound and picture informs much of their work. They were one of the original beta sites for CoSA (now Adobe) After Effects, and continue to work with that team as well as others to this day. 
August 2008July 2008June 2008May 2008April 2008March 2008February 2008July 2007May 2007November 2006September 2006August 2006January 2006November 2005September 2005July 2005June 2005April 2005November 2004September 2004November 2003September 2003July 2003December 2002November 2002October 2002September 2002November 2001July 2001June 2001March 2001October 2000May 2000January 2000July 1999January 1998February 1997July 1995Complete ArchivesCategory Archives
After Effects Tips - Installment 2After Effects Tips - Installment 1Fractal Noise TutorialLayer Styles in After EffectsOn Artbeats.com: Article on Editing to SoundOn Artbeats.com: Article on Frame RatesQ&A: Audio QueriesPasting Paths from Illustrator to After EffectsOn Artbeats.com: Article on Color Management in After EffectsNon-Square StrategiesKey Concepts from the ArchivesMotion 3 = 3DThe Shape of Things to Come: Shape Layers IntroductionBrighter Whites; Richer Colors Part 2: sRGBBrighter Whites; Richer Colors, Part 1: 16-235Work Smarter, Not Harder: Nucleo ProCamera Control, Part 2: Graph Editor & Dolly RigsCamera Control, Part 1: Auto-Orient & OrbitMap ExplorationThe Hi-Def ChecklistVisual Rhythm, Part 2: Motion & Cinema TricksVisual Rhythm, Part 1: After Effects TricksMotion + MIDIThe Almost Perfect FontA Different Light: Gamma-Corrected CompositingCMG-BlogMigrating After Effects Between MacsSpotlight: Fox Sports HDTED Talk: Using Biology to Make Better AnimationAdobe MAX, motion 08 Awards Shows20% off Artbeats FootageTED Talk: How creativity is being strangled by the lawAfter Effects CS4 Will Be Intel-OnlyXScriptorium: New AE Script/Expression ResourceTED Talk: Where does creativity hide?Spotlight: Promos for FOX’s “Fringe” |
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Tuesday, July 24, 2001Urban Legends of VideoA trio of common myths and misconceptions that arise when working with video.
Like urban legends, there are a few pieces of “conventional wisdom” that float around the motion graphics and 3D communities about how to handle video. They are oft-repeated, but several are simply not true. Some are based on wishful thinking; some on a germ of truth; some from articles or manuals which are incorrect. Yes, you probably already know all of these – but they certainly have caught out colleagues of ours. Not surprisingly, many of these legends are based around the subject of frame rates and interlaced fields. Fields in particular are an area where traditional video diverges perhaps the most from the computers we’re creating our video on, and for that reason are easiest to misunderstand. more »Editing • Motion Graphics • Post Production • (0) Comments • • Permalink Page 1 of 1 pages |
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Urban Legends of VideoA trio of common myths and misconceptions that arise when working with video. Like urban legends, there are a few pieces of “conventional wisdom” that float… Advertisements |
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