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Clint Milby
When Clint's father gave him a video camera as a graduation present, he immediately started producing short films, something he still does today.
After graduating from Baylor University, Milby moved to Los Angeles working for such industry respected companies as Live Entertainment and The Academy of Television Arts and Sciences. He worked six years for Warner Bros. where he served as executive assistant to writer/producers and development executives.
After writing several screenplays and producing one award winning short film, Clint broadened his writing and producing talents to include marketing and promotion for ikan corp. There he conceptualized and produced print insertions and videos, as well as creating a short film contest and launching an entire social media campaign.
In 2009, Milby became fascinated with HDSLRs and got a 7D of his own to join the revolution. Beyond making several shorts and commercials using his 7D, he became a careful student of how to get the best video possible from these remarkable cameras. In 2010, Clint started a news website, HDSLRShooter.com and has extended this blog to Pro Video Coalition.
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Wednesday, February 15, 2012
New B800i, Safe Guards Against Failing Hardware and Human Error
At the 11th Annual San Francisco SuperMeet, Justin Russo of Drobo, showed off the new Drobo B800i, 8 Bay, iSCSI SAN storage. This unit is optimized for small businesses to provide reliable and high-performance storage to servers running applications like file services, data protection, email, and server virtualization.
more »
Tuesday, February 07, 2012
New Cage Fits New Camera Like A Glove
At the 11th Annual San Francisco SuperMeet, I was able to actually lay hands on the Canon EOS C300 which was a thrill considering it’s all anyone has talked about since November.
more »
Page 1 of 1 pages
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Rich Young
A mini-roundup
Mark Spencer
Part 2 of a 3-part series on MacBreak Studio
Jeff Foster
A Look at GenArts’ Latest Upgrade to their Popular Plugin Effects
Allan Tépper
Free firmware updates enable timecode-over-HDMI from NXCAM, but is that enough?
Mark Spencer
Part 1 of a 3-part series on MacBreak Studio
Rich Young
Adam Wilt
Using Sony A-mount (and a couple of E-mount) lenses for video on the NEX-FS100.
Adam Wilt
An interchangeable-lens large-single-sensor NXCAM with a unique design.
Adam Wilt
Variable NDs replace a boxful of filters, and allow smooth exposure changes… for a price.
Adam Wilt
A quick look at some of the options available for kitting out an FS100 rig.
Jeff Foster
Matching Foreground Green Screen and Background Plates with Rack Focus Effect in After Effects
Scott Simmons
A bunch of BOSCPUG folks get together to make a short
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Rich Young | 02/29- 07:41 PM
A mini-roundup
James Miller recently discussed The art of “lens whacking”, real lights leaks and ones done in post on Philip Bloom’s website. And now, Christian Hubbard has posted more practical advice in a video tutorial, “Lens Whacking” To Get Light Blooms In Your Footage, on AEtuts.
Mark Spencer | 02/29- 07:27 PM
Part 2 of a 3-part series on MacBreak Studio
This is the second of a 3-part series on MacBreak Studio where Steve Martin from Ripple Training and I discuss the new Multicam editing features in the Final Cut Pro 10.0.3 update. In this episode we focus on how to edit a multicam clip in real time.
If you missed Part 1, you can see it here.
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