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Clint Milby
When Clint's father gave him a video camera as a graduation present, he immediately started producing short films, something he still does today. After graduating from Baylor University, Milby moved to Los Angeles working for such industry respected companies as Live Entertainment and The Academy of Television Arts and Sciences. He worked six years for Warner Bros. where he served as executive assistant to writer/producers and development executives. After writing several screenplays and producing one award winning short film, Clint broadened his writing and producing talents to include marketing and promotion for ikan corp. There he conceptualized and produced print insertions and videos, as well as creating a short film contest and launching an entire social media campaign. In 2009, Milby became fascinated with HDSLRs and got a 7D of his own to join the revolution. Beyond making several shorts and commercials using his 7D, he became a careful student of how to get the best video possible from these remarkable cameras. In 2010, Clint started a news website, HDSLRShooter.com and has extended this blog to Pro Video Coalition. 
Adobe Says: “Get Your Head Into the Cloud”Blackmagic Steals NAB 2012 With Their New Cinema CameraLadies and Gentlemen, the 5D Mark IIIDrobo B800i At The 11th Annual San Francisco SuperMeetRedrock Micro’s ultraCage for the C300Marshall Debuts the Orchid, OR-2410DP Alex Buono Talks C300 At SF SuperMeetThe 11th Annual San Francisco FCPUG SuperMeetGinter Goes Globetrotting with ‘Orbital’The Smoke and Mirrors Behind Sweden’s BrokendollUnboxing: FloLight MicroBeam 128Shane Hurlbut, ASC and Letus Announce New Line of GearCanon’s Big NewsRedrock Micro Brings Order To Unruly CablesShooting Through Space and TimeThe Fourth Annual Amsterdam FCPUG SuperMeetDSLRcinema’s ‘One Shot One Kill’ Film ContestUnboxing: FloLight’s MicroBeam 256Magic Bullet Suite’s MisFire and Adobe CS5.5 Production PremiumThe Great Camera Shootout 2011A Sound Solution to HDSLR AudioThe Cure for Rolling Shutter?Unboxing: The GoPro LCD BacPacIt’s All About the Lenses…BABY!The New MicroFollowFocus Blue
May 2012April 2012March 2012February 2012January 2012December 2011October 2011September 2011August 2011July 2011June 2011May 2011April 2011February 2011December 2010November 2010October 2010September 2010August 2010July 2010Complete Archives |
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The Smoke and Mirrors Behind Sweden’s BrokendollBrett Richards Tells Why His Post Is Up In Smoke
Winner of numerous ProMax awards in 2011, Sweden-based, boutique production company Brokendoll has garnered acclaim with their self-described “visually intense” high end productions for advertising, television and web. You might think a company with this level of initial success would also have goals of growing, but according to Brett Richards, Brokendoll is intent on keeping their footprint small to maintain the quality of their productions, “It is important to the quality of the production that we have the right team on each job, so we avoid large, in house teams to maximize our flexibility.” more »
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Canon’s Big NewsWhat The HDSLR Speculators Are Saying
According to the invitation originally circulated by Engadget.com, Canon will be making “An Historic Global Announcement” November 3rd in Hollywood. The event is rumored to be held at Paramount Studios, but this is unconfirmed. Speculations from the world of HDSLR seem to vary. Here are some quotes from the who’s who of the HDSLR filmmaking world. more »
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Most recent comments by:
Bruce A Johnson,
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NAB 2011: Teradek Revolutionizes Live BroadcastLandmark Broadcast at NAB Proves the Power of the Cube
We had a chance to visit with Rod Clark of Teradek who talked about the evolution of their products. more »
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Sundance Serves Up HDSLR Feature In 2011Mark Pellington’s “I Melt With You” Made Possible with the 5D Mark II
In September, I was asked by HD Videopro to do a story about a new feature that was shot completely using the 5D Mark II. I happened to be in Los Angeles for PhotoCine Expo, so I called the offices of Director Mark Pellington and spoke to his associate producer Matt Roe about their experiences shooting with HDSLR. However, the feature, I Melt With You, wasn’t their first trip to the rodeo… more »
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Advertisement Zeiss Lenses At PhotoCine ExpoThe Distagon T* 1,4/35 and their Compact Primes
Richard Schleuning of Zeiss shows off their latest lens (not yet released) the Distagon T* 1,4/35 and of course their Compact Primes. To find out more about Zeiss lenses, check out their website at http://www.zeiss.com/cine
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Most recent comments by:
mikabrown85,
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Redrock Micro Drops Bomb at PhotoCineNew Product Promises to Change the Game
Ground breaking new LCD viewfinder connects to HDSLR using HDMI Cable and mounts directly to rig. Clearly the most innovative monitoring solution only available from Redrock Micro. more »
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Most recent comments by:
Orgy,
IEBA,
IEBA,
Orgy,
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Shane Hurlbut’s HDSLR RevolutionLegendary ASC discusses how the HDSLR changed his life, and how it will change yours…
When I called Shane Hurlbut, he was just returning from a shoot with the US Marine Corps in North Carolina. Shane is one of the most visible and vocal proponents of using the HDSLR for cinematic applications. From the first time Shane held the 5D Mark II, he instinctively knew the technology would not only change the film industry, but the world as well. more »
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Most recent comments by:
ajax,
ajax,
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Want To Make Better Video With Your HDSLR?Rodney Charters says “Park the Camera!”
I recently had an opportunity to speak with Rodney Charters, DP for the FOX television series 24 about the HDSLR revolution, and some of his upcoming seminars. His presentations begin with some compelling behind the scenes footage and some deleted scenes from 24. “I’ll also be talking about my own 35 year exploration of photography and provide some basic information about how to take a camera you buy in the store and make a finished video suitable for presentation.” more »
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Most recent comments by:
Nino,
Burn-E,
Charles Angus,
brunsona,
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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…
Compositing in FCP X
On this week’s MacBreak Studio
On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.
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