Clint Milby
When Clint's father gave him a video camera as a graduation present, he immediately started producing short films, something he still does today.
After graduating from Baylor University, Milby moved to Los Angeles working for such industry respected companies as Live Entertainment and The Academy of Television Arts and Sciences. He worked six years for Warner Bros. where he served as executive assistant to writer/producers and development executives.
After writing several screenplays and producing one award winning short film, Clint broadened his writing and producing talents to include marketing and promotion for ikan corp. There he conceptualized and produced print insertions and videos, as well as creating a short film contest and launching an entire social media campaign.
In 2009, Milby became fascinated with HDSLRs and got a 7D of his own to join the revolution. Beyond making several shorts and commercials using his 7D, he became a careful student of how to get the best video possible from these remarkable cameras. In 2010, Clint started a news website, HDSLRShooter.com and has extended this blog to Pro Video Coalition.
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Tuesday, May 08, 2012
CS6 offers an all in one, cloud based solution at an amazing price
Shortly after NAB 2012, Adobe hosted a press conference to show off CS6 and make announcements as far as availability and pricing. We at HDSLR Shooter were in attendance and filmed a bit of the demonstration and address in the main theater of at the de Young Museum in San Francisco. This demonstration centered around developing an entire marketing campaign including, a website with video fully integrated as well as brochures created specifically for tablets.
more »Click to audio / video »
Monday, April 30, 2012
New Super Camera Packs a 2.5K Sensor For Less Than $3000.00
If you heard a collective gasp coming from about ninety thousand people in Las Vegas last week, it was most likely in reaction to Blackmagic’s ground breaking announcement that they are now officially a camera manufacturer. On April 16, 2012, Blackmagic Design unleashed the Blackmagic Cinema Camera on NAB and the world. It’s not clear whether this will be a trend or a one time venture, but either way, this first effort at an image capture device packs a massive punch for the price.
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Thursday, March 01, 2012
It’s Finally Here! Was it worth the wait..?
So the day we’ve all been waiting for has come. For over two years, we’ve been scouring the net in search of fuzzy, shadowy images that might lend some proof that Canon actually had the Mark III in the works. Like Bigfoot, Elvis and UFOs, sightings were everywhere, but alas many were hoaxes—cruel tricks that played with the emotions of would be Mark III buyers.
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Wednesday, February 15, 2012
New B800i, Safe Guards Against Failing Hardware and Human Error
At the 11th Annual San Francisco SuperMeet, Justin Russo of Drobo, showed off the new Drobo B800i, 8 Bay, iSCSI SAN storage. This unit is optimized for small businesses to provide reliable and high-performance storage to servers running applications like file services, data protection, email, and server virtualization.
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Tuesday, February 07, 2012
New Cage Fits New Camera Like A Glove
At the 11th Annual San Francisco SuperMeet, I was able to actually lay hands on the Canon EOS C300 which was a thrill considering it’s all anyone has talked about since November.
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Tuesday, January 31, 2012
Grade 1 Monitor Delivers Extreme Color Accuracy On Set
Due to changes in camera technology, it’s now become possible to colorgrade on set instead of having to transfer it to another facility. Many DIT’s are using systems that empower cinematographers to apply the 3D color space on set.
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Tuesday, January 31, 2012
SNL Veteran, Talks About Using the C300 For Network Television…
Recently I attended the 11th annual San Francisco Supermeet. Beyond some great lectures by some great speakers, there were a variety of different hardware manufacturers and software companies to show off their latest innovations to a very engaged crowd.
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Friday, January 13, 2012
Shooter talks timelapse and travel for Citibank project
Timelapse shooter, Tyler Ginter recently had an opportunity to participate the Mill’s timelapse production entitled Orbital. As Ginter explains, Oribital isn’t your ordinary timelapse production as it was filmed in New York City, Paris and Barcelona over a 10 day period, 2 days per city plus traveling each day.
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Art Adams
Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
Mark Spencer
On this week’s MacBreak Studio
Todd_Kopriva
Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.
Chris and Trish Meyer
...plus an update on what’s next for the Apprentice series.
Scott Simmons
Plus a little screencast in this blog post on a topic we didn’t get to cover.
Art Adams
You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.
Matt Jeppsen
Use a boom mic and some common sense!
Chris and Trish Meyer
Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.
Mark Spencer
Motion Magic on MacBreak Studio
Scott Simmons
These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement
Allan Tépper
If you agree, please sign the online petition requesting the required updates.
Michelle Gallina
CS6 Production Premium Road Show
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