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Clint Milby
When Clint's father gave him a video camera as a graduation present, he immediately started producing short films, something he still does today. After graduating from Baylor University, Milby moved to Los Angeles working for such industry respected companies as Live Entertainment and The Academy of Television Arts and Sciences. He worked six years for Warner Bros. where he served as executive assistant to writer/producers and development executives. After writing several screenplays and producing one award winning short film, Clint broadened his writing and producing talents to include marketing and promotion for ikan corp. There he conceptualized and produced print insertions and videos, as well as creating a short film contest and launching an entire social media campaign. In 2009, Milby became fascinated with HDSLRs and got a 7D of his own to join the revolution. Beyond making several shorts and commercials using his 7D, he became a careful student of how to get the best video possible from these remarkable cameras. In 2010, Clint started a news website, HDSLRShooter.com and has extended this blog to Pro Video Coalition. 
Adobe Says: “Get Your Head Into the Cloud”Blackmagic Steals NAB 2012 With Their New Cinema CameraLadies and Gentlemen, the 5D Mark IIIDrobo B800i At The 11th Annual San Francisco SuperMeetRedrock Micro’s ultraCage for the C300Marshall Debuts the Orchid, OR-2410DP Alex Buono Talks C300 At SF SuperMeetThe 11th Annual San Francisco FCPUG SuperMeetGinter Goes Globetrotting with ‘Orbital’The Smoke and Mirrors Behind Sweden’s BrokendollUnboxing: FloLight MicroBeam 128Shane Hurlbut, ASC and Letus Announce New Line of GearCanon’s Big NewsRedrock Micro Brings Order To Unruly CablesShooting Through Space and TimeThe Fourth Annual Amsterdam FCPUG SuperMeetDSLRcinema’s ‘One Shot One Kill’ Film ContestUnboxing: FloLight’s MicroBeam 256Magic Bullet Suite’s MisFire and Adobe CS5.5 Production PremiumThe Great Camera Shootout 2011A Sound Solution to HDSLR AudioThe Cure for Rolling Shutter?Unboxing: The GoPro LCD BacPacIt’s All About the Lenses…BABY!The New MicroFollowFocus Blue
May 2012April 2012March 2012February 2012January 2012December 2011October 2011September 2011August 2011July 2011June 2011May 2011April 2011February 2011December 2010November 2010October 2010September 2010August 2010July 2010Complete Archives |
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The Smoke and Mirrors Behind Sweden’s BrokendollBrett Richards Tells Why His Post Is Up In Smoke
Winner of numerous ProMax awards in 2011, Sweden-based, boutique production company Brokendoll has garnered acclaim with their self-described “visually intense” high end productions for advertising, television and web. You might think a company with this level of initial success would also have goals of growing, but according to Brett Richards, Brokendoll is intent on keeping their footprint small to maintain the quality of their productions, “It is important to the quality of the production that we have the right team on each job, so we avoid large, in house teams to maximize our flexibility.” more »
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Shane Hurlbut, ASC and Letus Announce New Line of GearGroundbreaking DP Tries His Hand At Manufacturing HDSLR Support Products
Shane Hurlbut, ASC announced today that he, along with Letus, will be releasing a new line of HDSLR support gear they are calling the Master Cinema Series. more »
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The Fourth Annual Amsterdam FCPUG SuperMeetFCPUG Converges on Amsterdam With HDSLR Shooters including Philip Bloom
IBC is almost here, and that means it’s SuperMeet Time, and this one is shaping up to THE event of IBC. Beyond the opportunity to meet and visit with your fellow filmmakers from around the world, you’ll also get to interact with Philip Bloom and Jason Levine of Adobe Systems, Editor Eddie Hamilton (X-MEN: FIRST CLASS) for Avid, Michael Wohl on FCPX, Autodesk & others. more »
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Most recent comments by:
Michael Horton,
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Magic Bullet Suite’s MisFire and Adobe CS5.5 Production PremiumHow To Make Your Video Look Old…But Not Tired
The Unsung Hero of Magic BulletI say unsung, because there’s not any mention of it being part of the Magic Bullet Suite. Once I loaded the Suite and opened it up for the first time in Premiere Pro CS5.5—there it was. I went back to the RedGiant website and searched and found just a small amount of information on their blog. more »
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Clint Milby,
IEBA,
Clint Milby,
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Advertisement The Cure for Rolling Shutter?Adobe’s Ellen Wixted Gives Us The Ins and Outs of CS5.5 Production Premium
One of the highlights of NAB 2011 for me was having an opportunity to sit down with Sr. Product Manager for Adobe CS5.5 Production Premium and Adobe Audition, Ellen Wixted. Ellen took some time out of her busy schedule to visit with us, and tell us why the latest creative suite is the answer to the problem of rolling shutter. more »
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illd,
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It’s All About the Lenses…BABY!The LensBaby System Rocks The Big Boys In Price and Versatility
Ever since getting the 7D in 2009, I’ve been on the look out for glass. Shooting only video cameras with a fixed lens and not being a fan of 35mm adapters, the whole idea of buying additional lenses eluded me. However, being a gear head myself, I quickly dove into it. Old lenses seemed a way to go, as I never shoot auto, and while still expensive, they are far less than new lenses. more »
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NAB 2011: Adobe’s Al Mooney Gives Us the Upside of Adobe Premiere Pro CS5.5NAB 2011: Adobe’s Al Mooney Gives Us the Upside of Adobe Premiere Pro CS5.5
On Monday at NAB, the amazing people at Adobe arranged for me to meet with the project manager for Premiere CS5.5, Al Mooney, who very graciously took some time to enlighten me on what people can expect from this upgrade. I was a bit skeptical going into the interview, as many times software upgrades that involve decimal points are repackaged versions of the previous one, but I have to say I was totally taken back by just how many new and improved features Adobe is offering in Premiere CS5.5. According to Al, Adobe has been taking advantage of their very healthy community of users and bringing some of the top editors who use different platforms such as FCP or Avid to watch and see what these guys found challenging. more »
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wsmith,
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Gifts For the HDSLR Shooter in Your LifeThat Won’t Break Your Budget!
For those of us in the industry who spend most of our life engaged in activities that many of our friends and family don’t really understand, shopping for us can be a daunting task. Although warned to just get gift cards, sometimes our loved ones insist on getting something more personal. The result can be a gift that never sees the light of day, is re-gifted or we have to make that awkward request for a receipt which never sets well…
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(9) Comments •
Most recent comments by:
Lista,
Christian Glawe,
Clint Milby,
Bryan Fowler,
Clint Milby,
Bryan Fowler,
Clint Milby,
Bryan Fowler,
Synaptic Light,
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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…
Compositing in FCP X
On this week’s MacBreak Studio
On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.
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