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Clint Milby
When Clint's father gave him a video camera as a graduation present, he immediately started producing short films, something he still does today. After graduating from Baylor University, Milby moved to Los Angeles working for such industry respected companies as Live Entertainment and The Academy of Television Arts and Sciences. He worked six years for Warner Bros. where he served as executive assistant to writer/producers and development executives. After writing several screenplays and producing one award winning short film, Clint broadened his writing and producing talents to include marketing and promotion for ikan corp. There he conceptualized and produced print insertions and videos, as well as creating a short film contest and launching an entire social media campaign. In 2009, Milby became fascinated with HDSLRs and got a 7D of his own to join the revolution. Beyond making several shorts and commercials using his 7D, he became a careful student of how to get the best video possible from these remarkable cameras. In 2010, Clint started a news website, HDSLRShooter.com and has extended this blog to Pro Video Coalition. 
Adobe Says: “Get Your Head Into the Cloud”Blackmagic Steals NAB 2012 With Their New Cinema CameraLadies and Gentlemen, the 5D Mark IIIDrobo B800i At The 11th Annual San Francisco SuperMeetRedrock Micro’s ultraCage for the C300Marshall Debuts the Orchid, OR-2410DP Alex Buono Talks C300 At SF SuperMeetThe 11th Annual San Francisco FCPUG SuperMeetGinter Goes Globetrotting with ‘Orbital’The Smoke and Mirrors Behind Sweden’s BrokendollUnboxing: FloLight MicroBeam 128Shane Hurlbut, ASC and Letus Announce New Line of GearCanon’s Big NewsRedrock Micro Brings Order To Unruly CablesShooting Through Space and TimeThe Fourth Annual Amsterdam FCPUG SuperMeetDSLRcinema’s ‘One Shot One Kill’ Film ContestUnboxing: FloLight’s MicroBeam 256Magic Bullet Suite’s MisFire and Adobe CS5.5 Production PremiumThe Great Camera Shootout 2011A Sound Solution to HDSLR AudioThe Cure for Rolling Shutter?Unboxing: The GoPro LCD BacPacIt’s All About the Lenses…BABY!The New MicroFollowFocus Blue
May 2012April 2012March 2012February 2012January 2012December 2011October 2011September 2011August 2011July 2011June 2011May 2011April 2011February 2011December 2010November 2010October 2010September 2010August 2010July 2010Complete Archives |
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Marshall Debuts the Orchid, OR-2410Grade 1 Monitor Delivers Extreme Color Accuracy On Set
Due to changes in camera technology, it’s now become possible to colorgrade on set instead of having to transfer it to another facility. Many DIT’s are using systems that empower cinematographers to apply the 3D color space on set. more »Page 1 of 1 pages Advertisement |
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Marshall Debuts the Orchid, OR-2410
Grade 1 Monitor Delivers Extreme Color Accuracy On Set
Due to changes in camera technology, it’s now become possible to colorgrade on set instead of having to transfer it to another facility. Many DIT’s are using systems that empower cinematographers to apply the 3D color space on set.
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